The food passes endlessly, droll combinations in brown
gravies—roses, sugar, and lard—duck and
bamboo—lotus, chestnuts, and fish-eggs—an
“eight-precious pudding.”
They tempt curiosity; my chop-sticks are busy. The
warm rice-wine trickles sparingly.
The groom is invisible somewhere, but the bride
martyrs among us. She
is clad in scarlet satin,
heavily embroidered with gold.
On her head is
an edifice of scarlet and
pearls.
For weeks, I know, she has wept in protest.
The feast-mother leads her in to us with sacrificial
rites. Her eyes are closed,
hidden behind her
curtain of strung beads; for
three days she will
not open them. She has
never seen the bridegroom.
At the feast she sits like her own effigy. She
neither
eats nor speaks.
Opposite her, across the narrow table, is a wall of
curious faces, lookers-on—children
and half-grown
boys, beggars and what-not—the
gleanings
of the streets.
They are quiet but they watch hungrily.
To-night, when the bridegroom draws the scarlet curtains
of the bed, they will still
be watching
hungrily....
Strange, formless memories out of books struggle upward
in my consciousness.
This is the marriage
at Cana.... I am feasting
with the Caliph
at Bagdad.... I am the
wedding guest who
beat his breast....
My heart is troubled.
What shall be said of blood-brotherhood between man
and man?
Wusih
The Beggar
Christ! What is that—that—Thing? Only a beggar, professionally maimed, I think.
Across the narrow street it lies, the street where
little
children are.
It is rocking its body back and forth, back and forth,
ingratiatingly, in the noisome
filth.
Beside the body are stretched two naked stumps of
flesh, on one the remnant
of a foot. The wounds
are not new wounds, but they
are open and they
fester. There are flies
on them.
The Thing is whining, shrilly, hideously.
Professionally maimed, I think. Christ!
Hwai Yuen
Interlude
It is going to be hot here.
Already the sun is treacherous and a dull mugginess
is
in the air. I note that
winter clothes are shedding
one by one.
In the market-place sits a coolie, expanding in the
warmth.
He has opened his ragged upper garments and his
bronze body is naked to the
belt.
He is examining it minutely, occasionally picking
at
something with the dainty
hand of the Orient.
If he had ever seen a zoological garden I should say
he was imitating the monkeys
there.
As he has not, I dare say the taste is ingrained.