of the whole thorax. Between the ribs and the
cartilages the space is filled by the intercostal
muscles (vide fig. 2), the action of which,
in conjunction with other muscles, is to elevate the
ribs. It is, however, unnecessary to enter into
anatomical details, and describe all those muscles
which elevate and rotate the ribs, and thereby cause
enlargement of the thorax in its antero-posterior and
lateral diameters. There is, however, one muscle
which forms the floor of the thoracic cage called
the diaphragm that requires more than a passing notice
(vide fig. 2), inasmuch as it is the most effective
agent in the expansion of the chest. It consists
of a central tendinous portion, above which lies the
heart, contained in its bag or pericardium; on either
side attached to the central tendon on the one hand
and to the spine behind, to the last rib laterally,
and to the cartilages of the lowest six ribs anteriorly,
is a sheet of muscle fibres which form on either side
of the chest a dome-like partition between the lungs
and the abdominal cavity (vide fig. 2).
The phrenic nerve arises from the spinal cord in the
upper cervical region and descends through the neck
and chest to the diaphragm; it is therefore a special
nerve of respiration. There are two—one
on each side supplying the two sheets of muscle fibres.
When innervation currents flow down these nerves the
two muscular halves of the diaphragm contract, and
the floor of the chest on either side descends; thus
the vertical diameter increases. Now the elastic
lungs are covered with a smooth pleura which is reflected
from them on to the inner side of the wall of the thorax,
leaving no space between; consequently when the chest
expands in all three directions the elastic lungs
expand correspondingly. But when either voluntarily
or automatically the nerve currents that cause contraction
of the muscles of expansion cease, the elastic structures
of the lungs and thorax, including the muscles, recoil,
the diaphragm ascends, and the ribs by the force of
gravity tend to fall into the position of rest.
During expansion of the chest a negative pressure
is established in the air passages and air flows into
them from without. In contraction of the chest
there is a positive pressure in the air passages,
and air is expelled; in normal quiet breathing an
ebb and flow of air takes place rhythmically and subconsciously;
thus in the ordinary speaking of conversation we do
not require to exercise any voluntary effort in controlling
the breathing, but the orator and more especially
the singer uses his knowledge and experience in the
voluntary control of his breath, and he is thus enabled
to use his vocal instrument in the most effective
manner.
[Illustration: Fig. 2
Adapted from Quain’s “Anatomy” by
permission of Messrs. Longmans, Green &
Co.]