In a Sicilian version the man and wife fry some fish, and then set about their respective work—shoemaking and spinning—and the one who finishes first the piece of work begun is to eat the fish. While they are singing and whistling at their work, a friend comes along, who knocks at the door, but receives no answer. Then he enters and speaks to them, but still no reply. Finally, in anger, he sits down at the table, and eats up all the fish himself.[11]
Thus, it will be observed, the droll incident which forms the subject of the old Scotch song of “The Barring of the Door” is of world-wide celebrity.
* * * * *
Gothamite stories appear to have been familiar throughout Europe during the later Middle Ages, if we may judge from a chapter of the Gesta Romanorum in which the monkish compiler has curiously “moralised” the actions of three noodles:
We read in the “Lives of the Fathers” that an angel showed to a certain holy man three men labouring under a triple fatuity. The first made a faggot of wood, and because it was too heavy for him to carry, he added to it more wood, hoping by such means to make it light. The second drew water with great labour from a very deep well with a sieve, which he incessantly filled. The third carried a beam in his chariot, and, wishing to enter his house, whereof the gate was so narrow and low that it would not admit him, he violently whipped his horse until they both fell together into a deep well. Having shown this to the holy man, the angel said, “What think you of these three men?” “That they are fools,” answered he. “Understand,