Directions.—­The scene should be the same as in Dance II.  The “field” to be visited should be in the same place as the space set apart for the “field” where the little hills were made and planted.

A part of the boys should act as guards of the “field” as before.  A few should scatter among the girls and join in looking at the sprouting corn as it breaks through the soil, and these should join in singing the song.

At the opening of the dance the dancers should be discovered standing in groups as though they had accidentally met as neighbors of the same village.  They should stand at the same place whence they had started to go to the “field” in the preceding dance.  The groups should be talking in dumb show.  Suddenly each group should act as if its attention had been arrested by a sound, and while in this attitude of arrested attention all should begin to sing the following song: 

Song

1

A call I hear! 
Hark! soft the tones and weak. 
Again the call! 
Come! our feet that call must seek.

Refrain:  Hey hey they,
            Ah hey hey they,
            Ah hey hey they,
              Again the call! 
            Ah hey hey they,
            Ah hey hey they,
            Ah hey hey they,
              Ah hey they.

[Music]

This dramatic dance will require to be rehearsed and the details planned by the dancers, so that a clear picture may be brought out and also the native poetic thought embodied in the Ritual Song from which it is taken.  A few hints can be given, but much of the action must depend upon the imagination and dramatic feeling of the dancers.

As the first line, “A call I hear!” is sung some one should raise the hand toward the ear, another raise it as a warning to keep quiet.  The line “Hark! soft the tones and weak” is an address to one another in the groups.  Then comes another sudden arrest, “Again the call!” These three lines should be sung without any change of position either by the groups or by the individuals.  Action should be confined to the hands and the head.  When singing the fourth line all should begin to stir, to adjust their pouches, tighten their hold on the wooden hoes and, as if moved by a common impulse, should prepare to go and seek the source of the call.  In their going the groups should not fall into one line but each group move by itself.  During the refrain the dancers should act as if in doubt which way to go.  At the line “Again the call!” all should stop as if arrested, and then move off again when the refrain is taken up.  All the groups should keep the rhythm of the music.  There should be a good deal of by-play and the action should indicate bewilderment, both as to the meaning of the call and the locality whence it comes.  It should appear as though some of the groups are baffled in their attempt to locate the call.

2

A call I hear! 
Hark! it is near at hand,
The call!  The call! 
Floats to us where we now stand.