The Scapegoat; a romance and a parable eBook

This eBook from the Gutenberg Project consists of approximately 371 pages of information about The Scapegoat; a romance and a parable.

The Scapegoat; a romance and a parable eBook

This eBook from the Gutenberg Project consists of approximately 371 pages of information about The Scapegoat; a romance and a parable.

Naomi was already in bed, and Fatimah brought her away in her nightdress.  She seemed to know where she was to be taken, for she laughed as Fatimah held her by the hand, and danced as she was led to her mother’s chamber.  But when she was come to the door of it, suddenly her laughter ceased, and her little face sobered, as if something in the close abode of pain had troubled the senses that were left to her.

It is, perhaps, the most touching experience of the deaf and blind that no greeting can ever welcome them.  When Naomi stood like a little white vision at the threshold of the room, Israel took her hand in silence, and drew her up to the pillow of the bed where her mother rested, and in silence Ruth brought the child to her bosom.

For a moment Naomi seemed to be perplexed.  She touched her mother’s fingers, and they were changed, for they had grown thin and long.  Then she felt her face, and that was changed also, for it was become withered and cold.  And, missing the grasp of one and the smile of the other, she first turned her little head aside as one that listens closely, and then gently withdrew herself from the arms that held her.

Ruth had watched her with eyes that overflowed, and now she burst into sobs outright.

“The child does not know me!” she cried.  “Did I not tell you it would break my heart?”

“Try her again,” said Israel; “try her again.”

Ruth devoured her tears, and called on Fatimah to bring the child back to her side.  Then, loosening the necklace that was about her own neck, she bound it about the neck of Naomi, and also the bracelets that were on her wrists she unclasped and clasped them on the wrists of the child.  This she did that Naomi might remember the hands that had been kind to her always.  But when the child felt the ornaments she seemed only to know, by the quick instinct of a girl, that she was decked out bravely, and giving no thought to Ruth, who waited and watched for the grasp of recognition and the kiss of joy, she withdrew herself again from her mother’s arms, and bounded into the middle of the room, and suddenly began to laugh and to dance.

The sun’s dying light, which had rested on Ruth’s wasted face, now glistened and sparkled on the jewels of the child, and glowed on her blind eyes, and gleamed on her fair hair, and reddened her white nightdress, while she danced and laughed to her mother’s death.  Nothing did the child know of death, any more than Adam himself before Abel was slain, and it was almost as if a devil out of hell had entered into her innocent heart and possessed it, that she might make a mock of the dying of the dearest friend she had known on earth.

On and on she danced, to no measure and no time, and not with a child’s uncertain step which breaks down at motion as its tongue breaks down at speech, but wildly and deliriously.  The room was darkening fast, but still across the nether end, by the foot of the bed, streamed the dull red bar of sunlight with the little red figure leaping and prancing and laughing in the midst of it.

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The Scapegoat; a romance and a parable from Project Gutenberg. Public domain.