“Very well,” she answered as the luncheon came in; “I’ll say we want tea up there.  What a good idea to make her a Bacchante; it’s the very face for it.”

“Suppose I took her as a Bacchante dancing, the whole figure I mean, nude, under a canopy of vine leaves, make all the background, everything, green vines with clusters of purple grapes, and then have her dancing down the sort of avenue towards the foreground, with the light pouring down through the leaves.  How do you think that would be?”

“I should think it would be lovely,” Viola answered slowly, with a little sigh.

I looked across at her quickly.

“You would like to be my only model for the body?” I said gently, keeping my eyes on her face.

“No, Trevor, I really don’t want to be selfish, and I do think you should have another, only....”

“Yes, only...?”

“Well, when a woman is in love she does so long to be able to assume all sorts of different forms, to be different women, so as to always please and amuse and satisfy the man she loves.  How delightful it would be if one could change!  One can be pretty, one can be amiable, clever, charming, anything, but one cannot be different from oneself; one must be the same, one can’t get away from that.”

I laughed.

“I don’t want you to be different.  I should be overwhelmed if you suddenly changed into some one else!  And whatever models I have, you will always be the best.  There could not be another such perfect figure as yours.”

Viola smiled, but an absent look came into her face.

After luncheon we both went up to the studio together, and Viola was ensconced in my armchair when Veronica’s knock came on the door.

I said, “Come in,” and she entered with the confident air of the morning.  Directly she saw Viola, however, she seemed to stiffen with resentment, and stood still by the door.

“Come in,” I repeated, “and shut the door.”

Viola looked at her kindly and laid down the charcoal sketch in her lap.

“I have been looking at your head here and thinking it so beautiful,” she said gently.

Veronica only stared at her a little ungraciously in return, and took off her hat in silence.

I put her back into position, re-arranged the fillet on her head, and set to work to complete the colour study.

We worked in unbroken silence till tea was brought up at four.  Viola rose to make it, and I told the girl to get up and move about if she liked, and I set the canvas aside to dry.  Viola offered the girl a cup of tea, but she refused it and went and sat under the window on an old couch, leaving us by the table.

The canvas was a success in a way so far, but the great sweetness of the expression in the charcoal sketch of the morning was not there.

When tea was over I went up to Veronica and told her I must leave the canvas of the head to dry, I could not work more on it then, and asked her if she would pose for me as the Bacchante dancing.  I wanted to see if she would do for a larger picture.