As for Charlotte Corday her work is accomplished; the recompense of it is near and sure.  The chere amie, and neighbours of the house, flying at her, she ‘overturns some movables,’ entrenches herself till the gendarmes arrive; then quietly surrenders; goes quietly to the Abbaye Prison:  she alone quiet, all Paris sounding in wonder, in rage or admiration, round her.  Duperret is put in arrest, on account of her; his Papers sealed,—­which may lead to consequences.  Fauchet, in like manner; though Fauchet had not so much as heard of her.  Charlotte, confronted with these two Deputies, praises the grave firmness of Duperret, censures the dejection of Fauchet.

On Wednesday morning, the thronged Palais de Justice and Revolutionary Tribunal can see her face; beautiful and calm:  she dates it ’fourth day of the Preparation of Peace.’  A strange murmur ran through the Hall, at sight of her; you could not say of what character. (Proces de Charlotte Corday, &c.  Hist.  Parl. xxviii. 311-338.) Tinville has his indictments and tape-papers the cutler of the Palais Royal will testify that he sold her the sheath-knife; “all these details are needless,” interrupted Charlotte; “it is I that killed Marat.”  By whose instigation?—­“By no one’s.”  What tempted you, then?  His crimes.  “I killed one man,” added she, raising her voice extremely (extremement), as they went on with their questions, “I killed one man to save a hundred thousand; a villain to save innocents; a savage wild-beast to give repose to my country.  I was a Republican before the Revolution; I never wanted energy.”  There is therefore nothing to be said.  The public gazes astonished:  the hasty limners sketch her features, Charlotte not disapproving; the men of law proceed with their formalities.  The doom is Death as a murderess.  To her Advocate she gives thanks; in gentle phrase, in high-flown classical spirit.  To the Priest they send her she gives thanks; but needs not any shriving, or ghostly or other aid from him.

On this same evening, therefore, about half-past seven o’clock, from the gate of the Conciergerie, to a City all on tiptoe, the fatal Cart issues:  seated on it a fair young creature, sheeted in red smock of Murderess; so beautiful, serene, so full of life; journeying towards death,—­alone amid the world.  Many take off their hats, saluting reverently; for what heart but must be touched? (Deux Amis, x. 374-384.) Others growl and howl.  Adam Lux, of Mentz, declares that she is greater than Brutus; that it were beautiful to die with her:  the head of this young man seems turned.  At the Place de la Revolution, the countenance of Charlotte wears the same still smile.  The executioners proceed to bind her feet; she resists, thinking it meant as an insult; on a word of explanation, she submits with cheerful apology.  As the last act, all being now ready, they take the neckerchief from her neck:  a blush of maidenly shame overspreads that fair face and neck; the cheeks were still tinged with it, when the executioner lifted the severed head, to shew it to the people.  ‘It is most true,’ says Foster, ’that he struck the cheek insultingly; for I saw it with my eyes:  the Police imprisoned him for it.’ (Briefwechsel, i. 508.)