The prophetic song of Paris and its Philosophes is audible enough in the Versailles Oeil-de-Boeuf; and the Oeil-de-Boeuf, intent chiefly on nearer blessedness, can answer, at worst, with a polite “Why not?” Good old cheery Maurepas is too joyful a Prime Minister to dash the world’s joy. Sufficient for the day be its own evil. Cheery old man, he cuts his jokes, and hovers careless along; his cloak well adjusted to the wind, if so be he may please all persons. The simple young King, whom a Maurepas cannot think of troubling with business, has retired into the interior apartments; taciturn, irresolute; though with a sharpness of temper at times: he, at length, determines on a little smithwork; and so, in apprenticeship with a Sieur Gamain (whom one day he shall have little cause to bless), is learning to make locks. (Campan, i. 125.) It appears further, he understood Geography; and could read English. Unhappy young King, his childlike trust in that foolish old Maurepas deserved another return. But friend and foe, destiny and himself have combined to do him hurt.
Meanwhile the fair young Queen, in her halls of state, walks like a goddess of Beauty, the cynosure of all eyes; as yet mingles not with affairs; heeds not the future; least of all, dreads it. Weber and Campan (Ib. i. 100-151. Weber, i. 11-50.) have pictured her, there within the royal tapestries, in bright boudoirs, baths, peignoirs, and the Grand and Little Toilette; with a whole brilliant world waiting obsequious on her glance: fair young daughter of Time, what things has Time in store for thee! Like Earth’s