I had reached the colonnade of the Theatre Francais, when a strong party of gendarmes a cheval went scouring up the street, at a full gallop. Their passage was so swift and sudden, that I cannot say in which direction they came, or whither they went, with the exception that they took the road to the Boulevards. A gendarme a pied was the only person near me, and I asked him, if he could explain the reason of the movement. “Je n’en sais rien,” in the brusque manner that the French soldiers are a little apt to assume, when it suits their humours, was all the reply I got.
I walked leisurely into the galleries of the Palais Royal, which I had never before seen so empty. There was but a single individual in the garden, and he was crossing it swiftly, in the direction of the theatre. A head was, now and then, thrust out of a shop-door, but I never before witnessed such a calm in this place, which is usually alive with people. Passing part of the way through one of the glazed galleries, I was started by a general clatter that sprung up all around me in every direction, and which extended itself entirely around the whole of the long galleries. The interruption to the previous profound quiet, was as sudden as the report of a gun, and it became general, as it were, in an instant. I can liken the effect, after allowing for the difference in the noises, to that of letting fly sheets, tacks, and halyards, on board a vessel of war, in a squall, and to a sudden call to shorten sail. The place was immediately filled with men, women, and children, and the clatter proceeded from the window-shutters that were going up all over the vast edifice, at the same moment. In less than five minutes there was not a shop-window exposed.