follows:—People fancied they saw a resemblance
in some one feature of a caricature to a particular
thing; this thing, again, might resemble another thing;
that thing a third; and thus from one to another,
until the face of some distinguished individual might
be reached. He put it to the jury whether such
forced constructions were safe. “This,
gentlemen,” he continued, “is a common
pear, a fruit well known to all of you. By culling
here, and here,” using his knife as he spoke,
“something like a resemblance to a human face
is obtained: by clipping here, again, and shaping
there, one gets a face that some may fancy they know;
and should I, hereafter, publish an engraving of a
pear, why everybody will call it a caricature of a
man!” You will understand that, by a dexterous
use of the knife, such a general resemblance to the
countenance of the King was obtained, that it was
instantly recognised. The man was rewarded for
his cleverness by an acquittal, and, since that time,
by an implied convention, a rude sketch of a pear
is understood to allude to the King. The fruit
abounds in a manner altogether unusual for the season,
and, at this moment, I make little doubt, that some
thousands of pears are drawn in chalk, coal, or other
substances, on the walls of the capital. During
the carnival, masquers appeared as pears, with pears
for caps, and carrying pears, and all this with a
boldness and point that must go far to convince the
King that the extreme license he has affected hitherto
to allow, cannot very well accord with his secret
intentions to bring France back to a government of
coercion. The discrepancies that necessarily exist
in the present system will, sooner or later, destroy
it.
Little can be said in favour of caricatures.
They address themselves to a faculty of the mind that
is the farthest removed from reason, and, by consequence,
from the right; and it is a prostitution of the term
to suppose that they are either cause or effect, as
connected with liberty. Such things may certainly
have their effect, as means, but every good cause
is so much the purer for abstaining from the use of
questionable agencies. Au reste, there is really
a fatality of feature and expression common to the
public men of this country that is a strong provocative
to caricature. The revolution and empire appear
to have given rise to a state of feeling that has
broken out with marked sympathy, in the countenance.
The French, as a nation, are far from handsome, though
brilliant exceptions exist; and it strikes me that
they who appear in public life are just among the
ugliest of the whole people.
Not long since I dined at the table of Mr. de ——,
in company with Mr. B. of New York. The company
consisted of some twenty men, all of whom had played
conspicuous parts in the course of the last thirty
years. I pointed out the peculiarity just mentioned
to my companion, and asked him if there was a single
face at table which had the placid, dignified, and
contented look which denotes the consciousness of right
motives, a frank independence, and a mind at peace
with itself. We could not discover one!
I have little doubt that national physiognomy is affected
by national character.