The rich man says, and passes by,
And clamps his nostril and shuts his eye.
Did God say once in God’s sweet tone,
Man shall not live by bread alone,
But by all that cometh from His white throne?
Yea: God said so,
But the mills say No,
And the kilns and the strong bank-tills say No:
There’s plenty that can, if you can’t. Go to:
Move out, if you think you’re underpaid.
The poor are prolific; we re not afraid;
Business is business; a trade is a trade,
Over and over the mills have said.’”
And then these passionate hot protestings
Changed to less vehement moods,
until
They sank to sad suggestings
And requestings sadder still:
“And oh, if the world might some
time see
’Tis not a law of necessity
That a trade just naught but a trade must
be!
Does business mean, Die, you—live,
I?
Then ‘business is business’
phrases a lie:
’Tis only war grown miserly.
If Traffic is battle, name it so:
War-crimes less will shame it so,
And we victims less will blame it so.
But oh, for the poor to have some part
In the sweeter half of life called Art,
Is not a problem of head, but of heart.
Vainly might Plato’s head revolve
it:
Plainly the heart of a child could solve
it.”
And then, as when our words seem all too
rude
We cease from speech, to take our thought
and brood
Back in our heart’s great dark and
solitude,
So sank the strings to heartwise throbbing,
Of long chords change-marked with sobbing—
Motherly sobbing, not distinctlier heard
Than half wing-openings of the sleeping
bird,
Some dream of danger to her young hath
stirred.
Then stirring and demurring ceased, and
lo!
Every least ripple of the strings’
song flow
Died to a level with each level bow,
And made a great chord tranquil-surfaced
so
As a brook beneath his curving bank doth
go
To linger in the sacred dark and green
Where many boughs the still pool overlean,
And many leaves make shadow with their
sheen.
But presently
A velvet flute-note fell down pleasantly
Upon the bosom of that harmony,
And sailed and sailed incessantly,
As if a petal from a wild-rose blown
Had fluttered down upon that pool of tone,
And boatwise dropped o’ the convex
side
And floated down the glassy tide,
And clarified and glorified
The solemn spaces where the shadows bide.
From the velvet convex of that fluted
note
Somewhat, half song, half odor, forth
did float—
As if God turned a rose into a throat—
“When Nature from her far-off glen
Flutes her soft messages to men,
The flute can say them o’er again;
Yea, Nature, singing sweet and lone,
Breathes through life’s strident