The following instructions for the dancing of “How d’ye do” must be noted in connection with the Notation (see p. 75).

The phrase “How d’ye do” is always sung, by all the couples, as marked and played in music “B.”  Opposite pairs advance as shown.  They should meet together in the centre on the word “do,” and shake hands, or square up for the fight, according to instructions.

Having joined hands, or squared, and paused in the centre, the first two pairs (Nos. 1 and 6, and 2 and 5) break away immediately after pause, and back briskly to their places, making room for the next pair.  There is no changing of corners in this dance.

The last pair (Nos. 3 and 4) remain in position, holding hands or squaring up, during pause in music, and still remain in the attitude while bars 4 and 5 of “B” are played.  During these bars all the other dancers stand still.

When the music strikes into “A” section, all take part according to instructions.  Nos. 8 and 4 loose or lower hands immediately the “A” music starts, and take their place and part with the others.

SHEPHERD’S HEY.

STICK-TAPPING.

In this, the sticks are held in the fist, up and slanting outward, the top as high as the head.  Partners cross sticks, leading file (Nos. 1, 3, and 5) holding to the right of even numbers.  The tapping (or clashing, rather, for here the sticks are loudly clashed together) is done on first three beats of bars 1 and 2, and 5 and 6 of “B” music (see mark X).  Partners strike each other’s sticks, right, left, right, according to position, in the manner of sham fencing—­the manner of brigands in pantomime.

While the tapping is being done all stand fast, not moving the feet at all.  When the six taps are finished, in bars 1 and 2, 5 and 6, the sticks are held crossed and in position; and in bars 3 and 4, 7 and 8 all break into 4/3 step, and keep it up throughout those bars.  The movement sounds absurdly simple:  so it is, but if done with precision the effect is at once quaint and stirring.

HAND-CLAPPING.

This is done with the naked hands, handkerchiefs hanging loose from middle fingers; and dancers should clap hands as loudly as ever they can.  Each dancer claps hands and knees in a number of different ways, according to explanation and diagram which follow.  All stand fast while clapping, not moving the feet.

Each individual dancer—­
Claps his hands together before him: 
Shown thus in diagram which follows               b. 
Or slaps right knee with right hand               r.k. 
Or slaps left knee with left hand                 l.k. 
Or raises right knee and claps hands under it     un.r. 
Or raises left knee and claps hands under it      un.l. 
Or claps both hands together, behind him          b.beh.

[Illustration:  DIAGRAM OF HAND-CLAPPING.]