NATHANIEL HAWTHORNE.
There in seclusion and remote from men
The wizard hand lies cold,
Which at its topmost speed let fall the
pen,
And left the tale half told.
Ah! who shall lift that wand of magic
power,
And the lost clew regain?
The unfinished window in Aladdin’s
tower
Unfinished must remain!
Hawthorne, May 23, 1864 H.W. LONGFELLOW.
RALPH WALDO EMERSON.
A Greek head on right Yankee shoulders,
whose range
Has Olympus for one pole, for t’other
the Exchange;
He seems, to my thinking (although I’m
afraid
The comparison must, long ere this, have
been made).
A Plotinus-Montaigne, where the Egyptian’s
gold mist
And the Gascon’s shrewd wit cheek-by-jowl
coexist.
A Fable for Critics. J.R. LOWELL.
CARLYLE AND EMERSON.
C.’s the Titan, as shaggy of mind
as of limb,—
E. the clear-eyed Olympian, rapid and
slim;
The one’s two thirds Norseman, the
other half Greek,
Where the one’s most abounding,
the other’s to seek;
C.’s generals require to be seen
in the mass,—
E.’s specialties gain if enlarged
by the glass;
C. gives nature and God his own fits of
the blues.
And rims common-sense things with mystical
hues,—
E. sits in a mystery calm and intense,
And looks coolly around him with sharp
common-sense.
A Fable for Critics. J.R. LOWELL.
EDGAR ALLAN POE.
There comes Poe, with his raven, like
Barnaby Rudge,
Three-fifths of him genius and two-fifths
sheer fudge,
Who talks like a book of iambs and pentameters.
In a way to make people of common sense
damn metres,
Who has written some things quite the
best of their kind,
But the heart somehow seems all squeezed
out by the mind.
A Fable for Critics. J.R. LOWELL.
JOHN GREENLEAF WHITTIER.
There is Whittier, whose swelling and
vehement heart
Strains the strait-breasted drab of the
Quaker apart,
And reveals the live Man, still supreme
and erect,
Underneath the bemummying wrappers of
sect;
There was ne’er a man born who had
more of the swing
Of the true lyric bard and all that kind
of thing;
* * * * *
Our Quaker leads off metaphorical fights
For reform and whatever they call human
rights,
Both singing and striking in front of
the war,
And hitting his foes with the mallet of
Thor.
A Fable for Critics. J.R. LOWELL.
PHILOSOPHY.
The intellectual power, through words
and things,
Went sounding on, a dim and perilous way!
The Excursion, Bk. III. W. WORDSWORTH.
How charming is divine philosophy!
Not harsh, and crabbed, as dull fools suppose,
But musical as is Apollo’s lute,
And a perpetual feast of nectared sweets,
Where no crude surfeit reigns.
Comus. MILTON.