Punch, or the London Charivari, Volume 99, December 20, 1890 eBook

This eBook from the Gutenberg Project consists of approximately 43 pages of information about Punch, or the London Charivari, Volume 99, December 20, 1890.

Punch, or the London Charivari, Volume 99, December 20, 1890 eBook

This eBook from the Gutenberg Project consists of approximately 43 pages of information about Punch, or the London Charivari, Volume 99, December 20, 1890.

I had seen the appetising programme—­how the doors were opened at 10 A.M., to close a good thirteen hours later—­after a round of novelties full of interest to a provincial sight-seer, to say nothing of a Londoner.  I entered and found the Variety Entertainment was “on.”  I was about to walk into an enclosure, and seat myself in a first-rate position for witnessing the gambols of some talented wolves, when I was informed that I could not do this without extra payment.  Unwilling to “bang” an extra sixpence (two had already been expended) I tried to find a gratuitous coign of vantage, but (I am sorry to add) unsuccessfully.  But I was not to be disheartened.  Could I not see “KENNEDY, King Laughter-Maker of the World,” or “a Grand Billiard Match,” or (more interesting still) “the Performing Fleas”?  Yes, indeed I could, but only by expending a shilling on the Mesmerist, a like sum for the Billiard Match. and sixpence on the carefully-trained hoppers.  Seeing that “the Wonderful and Beautiful Mystic MURIEL” was in the building, I attempted to interview her, but was stopped at the door by a demand for the fifth of half-a-crown.  A like sum stood as a barrier between me and an entertainment that I was told was “described by Mr. RIDER HAGGARD in his well-known romance, called She.”  Passing by a small bower-like canvas erection, I was attracted by the declaration of its custodian that it was “the most wonderful sight in the world,” a statement he made, he said, “without fear of contradiction.”  But “Eve’s Garden” (as the small bower-like canvas erection was called) was inaccessible to those who did not expend the grudgingly-produced but necessary sixpence.  Foiled in this direction, I fain would have visited the celebrated Beckwith Family performances, but was prevented by finding that a shilling was the only passport to admission, unless I happened to be a child, when the modified charge of sixpence would be deemed sufficient.  There was, however, one entertainment almost free (only a penny was charged), an automatic sight-tester, which pleased me greatly.  By putting a copper in the slot, pressing a pedal, and turning a handle, I learned that anyone could discover, literally at a glance, the condition of his eyes.  Had I not made up my mind to disburse nothing further than the bare shilling I had already expended, I should certainly have ascertained if the time had arrived for my regretful assumption of a pinch-nose or a pair of spectacles.

I was now losing heart, when, to my great joy, I came upon “the White Kangaroo, the Laughing Jackasses, &c.,” all of which were to be seen “free gratis and for nothing.”  It is right, however, that I should add that I found some difficulty in distinguishing “the White Kangaroo” from “the Laughing Jackasses,” and both from “&c.”  I now made for Mlle. PAULA’s Crocodiles, but here, again, alas!  I was doomed to disappointment.  As I approached the Reptile-House, in which the fair dame was disporting herself (no

Copyrights
Project Gutenberg
Punch, or the London Charivari, Volume 99, December 20, 1890 from Project Gutenberg. Public domain.