22.  STRINDBERG.  THE CONFESSIONS OF A FOOL.

Strindberg has obtained, because of his own neurotic and almost feminine clairvoyance, a diabolical insight into the perversities of the feminine character.  This merciless insight manifested in all his works reaches its intensest degree in the “Confessions of a Fool,” where the woman implicated surpasses the perversities of the normal as greatly as the lashing energy with which he pursues her to her inmost retreats surpasses the vengeance of any ordinary lover.

23.  EMERSON. Routledge’s complete works of Emerson, or any other edition containing everything in one volume.

The clear, chaste, remote and distinguished wisdom of Emerson with its shrewd preacher’s wit and country-bred humor, will always be of stirring and tonic value to certain kindred minds.  Others will prove him of little worth; but it is to be noted that Nietzsche found him a sane and noble influence principally on the ground of his serene detachment from the phenomena of sin and disease and death.  He will always remain suggestive and stimulating to those who demand a spiritual interpretation of the Universe but reluct at committing themselves to any particular creed.

24.  WALT WHITMAN. The complete unexpurgated edition of all his poems, with his prose works and Mr. Traubel’s books about him as a further elucidation.

Walt Whitman is the only Optimist and perhaps the only prophet of Democracy one can read without shame.  The magical beauty of his style at its best has not even yet received complete justice.  He has the power of restoring us to courage and joy even under circumstances of aggravated gloom.  He puts us in some indescribable manner “en rapport” with the large, cool, liquid spaces and with the immense and transparent depths.

More than any he is the poet of passionate friendship and the poet of all those exquisite evasive emotions which arise when our loves and our regrets are blended with the presence of Nature.

25.  EDGAR LEE MASTERS.  SPOON RIVER ANTHOLOGY, published by Macmillan.

After Whitman and Poe, Mr. Masters is by far the most original and interesting of American poets.  There is something Chaucerian about the quizzical and whimsical manner in which he tells his brief and homely stories.  His characters are penetrated with the bleak and yet cheerful tone of the “Middle West.”  Something quaint, humorous and astringent emerges as their dominant note.

Mr. Masters has the massive ironical observation and the shrewd humane wit of the great English novelists of the eighteenth century.  His dead people reveal “the true truth” of their sordid and troubled lives.  The little chances, the unguessed-at accidents, the undeserved blows of a capricious destiny, which batter so many of us into helpless inertness, are the aspects of life which interest him most.

26.  THEODORE DREISER.  THE TITAN.