And always, mingled with everything, in the tense night hours—that slender khaki figure, tearing the leaf from his sketch-book, leaping over the parados,—falling—in the No Man’s Land. But, by day, the obsession of it now often left her.
It was impossible not to enjoy her new home. Farrell had taken an old Westmorland farm, with its white-washed porch, its small-paned windows outlined in white on the grey walls, its low raftered rooms, and with a few washes of colour—pure blue, white, daffodil yellow—had made all bright within, to match the bright spaces of air and light without. There was some Westmorland oak, some low chairs, a sofa and a piano from the old Manchester house, some etchings and drawings, hung on the plain walls by Farrell himself, with the most fastidious care; and a few—a very few things—from his own best stores, which Hester allowed him to ‘house’ with Nelly from time to time—picture, or pot, or tapestry. She played watch-dog steadily, not resented by Farrell, and unsuspected by Nelly. Her one aim was that the stream of Nelly’s frail life should not be muddied by any vile gossip; and she achieved it. The few neighbours who had made acquaintance with ‘little Mrs. Sarratt’ had, all of them been tacitly, nay eagerly willing, to take their cue from Hester. To be vouched for by Hester Martin, the ‘wise woman’ and saint of a country-side, was enough. It was understood that the poor little widow had been commended to the care of William Farrell and his sister, by the young husband whose gallant death was officially presumed by the War Office. Of course, Mrs. Sarratt, poor child, believed that he was still alive—that was so natural! But that hope would die down in time. And then—anything might happen!