“You are coming to us to-morrow, I hope, Mademoiselle Fischer?” said he.

“You have no company?” asked Cousin Betty.

“My children and yourself, no one else,” replied the visitor.

“Very well,” replied she; “depend on me.”

“And here am I, madame, at your orders,” said the citizen-captain, bowing again to Madame Hulot.

He gave such a look at Madame Hulot as Tartuffe casts at Elmire—­when a provincial actor plays the part and thinks it necessary to emphasize its meaning—­at Poitiers, or at Coutances.

“If you will come into this room with me, we shall be more conveniently placed for talking business than we are in this room,” said Madame Hulot, going to an adjoining room, which, as the apartment was arranged, served as a cardroom.

It was divided by a slight partition from a boudoir looking out on the garden, and Madame Hulot left her visitor to himself for a minute, for she thought it wise to shut the window and the door of the boudoir, so that no one should get in and listen.  She even took the precaution of shutting the glass door of the drawing-room, smiling on her daughter and her cousin, whom she saw seated in an old summer-house at the end of the garden.  As she came back she left the cardroom door open, so as to hear if any one should open that of the drawing-room to come in.

As she came and went, the Baroness, seen by nobody, allowed her face to betray all her thoughts, and any one who could have seen her would have been shocked to see her agitation.  But when she finally came back from the glass door of the drawing-room, as she entered the cardroom, her face was hidden behind the impenetrable reserve which every woman, even the most candid, seems to have at her command.

During all these preparations—­odd, to say the least—­the National Guardsman studied the furniture of the room in which he found himself.  As he noted the silk curtains, once red, now faded to dull purple by the sunshine, and frayed in the pleats by long wear; the carpet, from which the hues had faded; the discolored gilding of the furniture; and the silk seats, discolored in patches, and wearing into strips —­expressions of scorn, satisfaction, and hope dawned in succession without disguise on his stupid tradesman’s face.  He looked at himself in the glass over an old clock of the Empire, and was contemplating the general effect, when the rustle of her silk skirt announced the Baroness.  He at once struck at attitude.

After dropping on to a sofa, which had been a very handsome one in the year 1809, the Baroness, pointing to an armchair with the arms ending in bronze sphinxes’ heads, while the paint was peeling from the wood, which showed through in many places, signed to Crevel to be seated.

“All the precautions you are taking, madame, would seem full of promise to a——­”

“To a lover,” said she, interrupting him.

“The word is too feeble,” said he, placing his right hand on his heart, and rolling his eyes in a way which almost always makes a woman laugh when she, in cold blood, sees such a look.  “A lover!  A lover?  Say a man bewitched——­”