“Tell me your hishdory,” said Schmucke.
“Look there! Do you see that young man in the box yonder? . . . Do you recognize him?”
“Nefer a pit—”
“Ah! That is because he is wearing yellow gloves and shines with all the radiance of riches, but that is my friend Fritz Brunner out of Frankfort-on-the-Main.”
“Dat used to komm to see du blav und sit peside you in der orghestra?”
“The same. You would not believe he could look so different, would you?”
The hero of the promised story was a German of that particular type in which the sombre irony of Goethe’s Mephistopheles is blended with a homely cheerfulness found in the romances of August Lafontaine of pacific memory; but the predominating element in the compound of artlessness and guile, of shopkeeper’s shrewdness, and the studied carelessness of a member of the Jockey Club, was that form of disgust which set a pistol in the hands of a young Werther, bored to death less by Charlotte than by German princes. It was a thoroughly German face, full of cunning, full of simplicity, stupidity, and courage; the knowledge which brings weariness, the worldly wisdom which the veriest child’s trick leaves at fault, the abuse of beer and tobacco,—all these were there to be seen in it, and to heighten the contrast of opposed qualities, there was a wild diabolical gleam in the fine blue eyes with the jaded expression.
Dressed with all the elegance of a city man, Fritz Brunner sat in full view of the house displaying a bald crown of the tint beloved by Titian, and a few stray fiery red hairs on either side of it; a remnant spared by debauchery and want, that the prodigal might have a right to spend money with the hairdresser when he should come into his fortune. A face, once fair and fresh as the traditional portrait of Jesus Christ, had grown harder since the advent of a red moustache; a tawny beard lent it an almost sinister look. The bright blue eyes had lost something of their clearness in the struggle with distress. The countless courses by which a man sells himself and his honor in Paris had left their traces upon his eyelids and carved lines about the eyes, into which a mother once looked with a mother’s rapture to find a copy of her own fashioned by God’s hand.
This precocious philosopher, this wizened youth was the work of a stepmother.
Herewith begins the curious history of a prodigal son of Frankfort-on-the-Main—the most extraordinary and astounding portent ever beheld by that well-conducted, if central, city.
Gideon Brunner, father of the aforesaid Fritz, was one of the famous innkeepers of Frankfort, a tribe who make law-authorized incisions in travelers’ purses with the connivance of the local bankers. An innkeeper and an honest Calvinist to boot, he had married a converted Jewess and laid the foundations of his prosperity with the money she brought him.