is a fact well worthy of notice, and the accuracy of which seems warranted by its having been brought before a Committee of both Houses of Parliament, that the labour in preparing new silk affords much more employment to the country producing it, than any other raw material.  It appears from an official document, that the value of the imports of raw silk into France, during the year 1824, amounted to thirty seven millions, one hundred and forty-nine thousand, nine hundred and sixty francs.—­North American Review.

    [9] The official values of these imports are L703,009 and L1,464,994.

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CHINESE NOVELS.

A union of three persons, cemented by a conformity of taste and character, constitutes, in the opinion of the Chinese, the perfection of earthly happiness, a sort of ideal bliss, reserved by heaven for peculiar favourites as a suitable reward for their talent and virtue.  Looking at the subject under this point of view, their novel-writers not unfrequently arrange matters so as to secure this double felicity to their heroes at the close of the work; and a catastrophe of this kind is regarded as the most satisfactory that can be employed.  Without exposing ourselves to the danger incurred by one of the German divines, who was nearly torn to pieces by the mob of Stockholm for defending polygamy, we may venture to remark, that for the mere purposes of art, this system certainly possesses very great advantages.  It furnishes the novel-writer with an easy method of giving general satisfaction to all his characters, at the end of the tale, without recurring to the fatal though convenient intervention of consumption and suicide, with us the only resources, when there happens to be a heroine too many.  What floods of tears would not the Chinese method have spared to the high-minded Corinna, to the interesting and poetical Clementina!  From what bitter pangs would it not have relieved the irresolute Oswald, perhaps even the virtuous Grandison himself!  The Chinese are entitled to the honour of having invented the domestic and historical novel several centuries before they were introduced in Europe.  Fables, tales of supernatural events, and epic poems, belong to the infancy of nations; but the real novel is the product of a later period in the progress of society, when men are led to reflect upon the incidents of domestic life, the movement of the passions, the analysis of sentiment, and the conflicts of adverse interests and opinions.—­Preface to a French Translation of a Chinese Novel.

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HERO OF A CHINESE NOVEL.

There came out a youth of about fifteen or sixteen years of age, dressed in a violet robe with a light cap on his head.  His vermilion lips, brilliant white teeth, and arched eye-brows gave him the air of a charming girl.  So graceful and airy are his movements, that one might well ask, whether he be mortal or a heavenly spirit.  He looks like a sylph formed of the essence of flowers, or a soul descended from the moon.  Is it indeed a youth who has come out to divert himself, or is it a sweet perfume from the inner apartment?—­Ibid.