[Footnote 1: p. 507. See also Hutchinson, Essay on Witchcraft, p. 13; and Harsnet, p. 71.]
[Footnote 2: Bayle, ix. 152.]
[Footnote 3: James I., Daemonologie. Edinburgh, 1597.]
41. Spenser has clothed with horror this conception of the appearance of a fiend, just as he has enshrined in beauty the belief in the guardian angel. It is worthy of remark that he describes the devil as dwelling beneath the altar of an idol in a heathen temple. Prince Arthur strikes the image thrice with his sword—
“And the
third time, out of an hidden shade,
There forth issewed
from under th’ altar’s smoake
A dreadfull feend
with fowle deformed looke,
That stretched
itselfe as it had long lyen still;
And her long taile
and fethers strongly shooke,
That all the temple
did with terrour fill;
Yet him nought terrifide that
feared nothing ill.
“An huge
great beast it was, when it in length
Was stretched
forth, that nigh filled all the place,
And seemed to
be of infinite great strength;
Horrible, hideous,
and of hellish race,
Borne of the brooding
of Echidna base,
Or other like
infernall Furies kinde,
For of a maide
she had the outward face
To hide the horrour
which did lurke behinde
The better to beguile whom
she so fond did finde.
“Thereto
the body of a dog she had,
Full of fell ravin
and fierce greedinesse;
A lion’s
clawes, with power and rigour clad
To rende and teare
whatso she can oppresse;
A dragon’s
taile, whose sting without redresse
Full deadly wounds
whereso it is empight,
And eagle’s
wings for scope and speedinesse
That nothing may
escape her reaching might,
Whereto she ever list to make
her hardy flight.”