reputation, was entrusted with the work.  The new buildings were not an artistic success, in spite of the elaborate Gothic cloister, with its stupendous gateway and the imposing scale of the whole pile.  Their deficiencies might be masked or at least diminished if ivy were allowed to cover the unpleasing wall spaces, and perhaps if these lines are ever read by the proper authority such a simple and inexpensive but highly desirable improvement will come to pass.

The stranger approaching St. John’s College for the first time might be easily pardoned for mistaking the chapel for a parish church, and those familiar with the buildings cannot by any mental process feel that the aggressive bulk of Sir Gilbert Scott’s ill-conceived edifice is anything but a crude invasion.  More than half a century has passed since this great chapel replaced the Tudor building which had unluckily come to be regarded as inadequate, but the ponderous Early Decorated tower is scarcely less of an intrusion than when its masonry stood forth in all its garish whiteness against the time-worn brick of Lady Margaret Beaufort’s court.  A Perpendicular tower would have added a culminating and satisfying feature to the whole cluster of courts, and by this time would have been so toned down by the action of weather that it would have fallen into place as naturally as the Tudor Gothic of the Houses of Parliament has done in relation to Westminster Abbey.  Like Truro Cathedral, and other modern buildings imitating the Early English style, the interior is more successful than the exterior; the light, subdued and enriched by passing through the stained glass of the large west window (by Clayton and Bell) and others of less merit, tones down the appearance of newness and gives to the masonry of 1869 a suggestion of the glamour of the Middle Ages.  Fortunately, some of the stalls with their “miserere” seats were preserved when the former chapel was taken down, and these, with an Early English piscina, are now in the chancel of the modern building.  The Tudor Gothic altar tomb of one of Lady Margaret’s executors—­Hugh Ashton, Archdeacon of York—­has also been preserved.

At the same time as the chapel was rebuilt, Sir Gilbert Scott rebuilt parts of the first and second courts.  He demolished the Master’s Lodge, added two bays to the Hall in keeping with the other parts of the structure, and built a new staircase and lobby for the Combination Room, which is considered without a rival in Cambridge or Oxford.  It is a long panelled room occupying all the upper floor of the north side of the second court and with its richly ornamented plaster ceiling, its long row of windows looking into the beautiful Elizabethan court, its portraits of certain of the college’s distinguished sons in solemn gold frames, it would be hard to find more pleasing surroundings for the leisured discussion of subjects which the fellows find in keeping with their after-dinner port.  There is an inner room at one end, and continuing in the same line and opening into it, so that a gallery of great length is formed, is the splendid library, built nearly three centuries ago and unchanged in the passing of all those years.