The figures incised in bamboo show some realistic motives, such as the fish, birds, and flowers in Fig. 23, No. 1; the snake and lizard in No. 2; the man in No. 5; but the strictly geometrical is dominant in nearly every case.  Probably the most typical of this class of work is shown in Nos. 3 and 4 and Fig. 22, Nos. 1, 2, and 3.  It should be noted, however, that, where one decorated object is seen, many more entirely plain will be found.  In short, ornamentation is uncommon and of minor importance.

The one place where decoration is dominant is in the weaving, and this is done entirely by the women.  Figures 24 and 25 show typical designs which occur in the blankets.  Except for No. 8 in Fig. 24, they do not appear to be copies from nature, but all have realistic interpretations.  Fig. 24 shows eight designs drawn by native weavers, which are identified as follows: 

1.  A fish. 2.  Weaving on a Spanish bed or chair seat. 3.  Pineapple. 4.  A heart. 5.  Fishhooks. 6.  A crab. 7.  Cross section of a pineapple. 8.  A horse.

In Fig. 25 are five typical patterns taken from blankets, while No. 6 is the ornamental stitching which unites two breadths of cloth, the latter is identified as “fingers and finger nails.”  No. 1 is the turtle, No. 2 a crab, No. 3 a rice-mortar, No. 4 the bobbin winder shown in Fig. 16, No. 4; No. 5 pineapple.

Plate LXXI is a ceremonial blanket, such as is hung up over the dead.  The figures are identified as a a deer, b horse, c carabao calf, d man.  The textile in Plate LXXII, No. 1 is likewise used chiefly as a ceremonial piece, the designs representing a man, b horse, c star.

A very pleasing blanket is shown in Plate LXXII, No. 2 in which the designs are identified as a rice cake, and b as a star, while the whole pattern is known as kalayan—­the river.  The textile in Plate LXXIII, No. 1 imitates a mat, while No. 2 is known as kosikos—­the circle.

A part of these designs are evidently copies from real objects, others appear to be merely pattern names, while the weavers do not hesitate to borrow any likely patterns which strike their fancy.  One quite frequently sees a blanket which shows a “lion,” or some other animal or object, with which the people could only become acquainted through pictures or descriptions from outside sources.

In addition to these designs already mentioned, there are certain common types of decoration effected through weaving or embroidery, for which no explanations are given.  They are said to be only “to make pretty.”  Among these are the ends of belts and clouts, as shown in Plate LXXIV, or the raised diamond pattern shown in No. 2 of the same Plate, or the plaid effect in colors, which appear in some of the skirts.

It has already been noted (cf. p. 416) that the weaving methods of the Tinguian are similar to those of the Ilocano, and the same is true of a considerable part of the decorative patterns.  The Christianized natives have less of the realistic, a greater variety of geometrical designs, and a greater fondness for bright colors, made possible by the use of analine dyes, than the mountaineers.