All this is admirably put, and it is interesting to find that Browning, who had rejoiced with Herakles doing great deeds and purging the world of monsters, could also honour a poor provisional Atlas whose task of sustaining a poor imperfect globe upon his shoulders is less brilliant but not perhaps less useful. Nor would it be just to overlook the fact that in three or four pages the poet asserts himself as more than the prudent casuist. The splendid image of society as a temple from which winds the long procession of powers and beauties has in it something of the fine mysticism of Edmund Burke.[113] The record of the Prince’s early and irresponsible aspirations for a free Italy—
Ay, still my fragments wander,
music-fraught,
Sighs of the soul, mine once,
mine now, and mine
For ever!—
with what immediately follows, would have satisfied the ardent spirit of Mrs Browning.[114] And the characterisation of the genius of the French nation, whose lust for war and the glory of war Browning censures as “the dry-rot of the race,” rises brilliantly out of its somewhat gray surroundings:—
The people here,
Earth presses to her heart,
nor owns a pride
Above her pride i’ the
race all flame and air
And aspiration to the boundless
Great,
The incommensurably Beautiful—
Whose very faulterings groundward
come of flight
Urged by a pinion all too
passionate
For heaven and what it holds
of gloom and glow:
Bravest of thinkers, bravest
of the brave
Doers, exalt in Science, rapturous
In Art, the—more
than all—magnetic race
To fascinate their fellows,
mould mankind.