for himself; had “never so much to do or so
little pleasure in doing it.” The discomfort
of London lodgings was before long exchanged for the
more congenial surroundings of a house by the water-side
in Warwick Crescent, which he occupied until 1887,
two years before his death. The furniture and
tapestries of Casa Guidi gave it an air of comfort
and repose. “It was London,” writes
Mrs Ritchie, referring to her visits of a later date,
“but London touched by some indefinite romance;
the canal used to look cool and deep, the green trees
used to shade the Crescent.... The house was
an ordinary London house, but the carved oak furniture
and tapestries gave dignity to the long drawing-rooms,
and pictures and books lined the stairs. In the
garden at the back dwelt, at the time of which I am
writing, two weird gray geese, with quivering silver
wings and long throats, who used to come and meet
their master hissing and fluttering.” In
1866 an owl—for Browning still indulged
a fantasy of his own in the choice of pets—was
“the light of our house,” as a letter
describes this bird of darkness, “for his tameness
and engaging ways.” The bird would kiss
its master on the face, tweak his hair, and if one
said “Poor old fellow!” in a commiserating
voice would assume a sympathetic air of depression.[86]
Miss Barrett lived hard by, in Delamere Terrace.
With her on Sundays Browning listened at Bedford Chapel
to the sermons of a non-conformist preacher, Thomas
Jones, to some of which when published in 1884, he
prefixed an introduction. “The Welsh poet-preacher”
was a man of humble origin possessed of a natural
gift of eloquence, which, with his “liberal humanity,”
drew Browning to become a hearer of his discourses.
He made no haste to give the public a new volume of
verse. Mrs Browning had mentioned to a correspondent,
not long before her death, that her husband had then
a considerable body of lyrical poetry in a state of
completion. An invitation to accept the editorship
of the Cornhill Magazine, on Thackeray’s
retirement, was after some hesitation declined.
He was now partly occupied with preparing for the press
whatever writings by his wife seemed suitable for publication.
In 1862 he issued with a dedication “to grateful
Florence” her Last Poems; in 1863, her
Greek Christian Poets; in 1865 he prepared a
volume of Selections from her poems, and had the happiness
of knowing that the number of her readers had rather
increased than diminished. The efforts of self-constituted
biographers to make capital out of the incidents of
her life, and to publish such letters of hers as could
be laid hands on, moved him to transports of indignation,
which break forth in a letter to his friend Miss Blagden
with unmeasured violence: what he felt with the
“paws” of these blackguards in his “very
bowels” God knows; beast and scamp and knave
and fool are terms hardly strong enough to relieve
his wrath. Such sudden whirls of extreme rage
were rare, yet were characteristic of Browning, and