When the ‘Phosphorus’ was in its third year the Romanticists united in bringing out two new organs:  the Poetical Calendar (1812-1822), which published poetry only, and the Swedish Literary News (1813-1824), containing critical essays of great scientific value.  The Phosphorists, who had shown themselves ardent but not always sagacious fighters, now appeared at their best, and dashed into the controversy which was engaging the attention of the Swedish reading public.  This included not only literature, but philosophy and religion, as well as art.  The odds were now on one side, now on the other.  The Academicians might easily have conquered their youthful opponents, however, had not their bitterness continually forged new weapons against themselves.  In 1820 the Phosphorists wrote the excellent satire, ’Marskall’s Sleepless Nights,’ aimed at Wallmark, leader of the Academicians.  Gradually the strife died out, and the man who carried off the palm, and for a time became the leader of Swedish poetry, was Tegner, who was hardly a partisan of either side.

In 1817 Atterbom had gone abroad, broken down in health by his uninterrupted studies.  While in Germany he entered into a warm friendship with Schelling and Steffens, and in Naples he met the Danish sculptor Thorwaldsen, to whose circle of friends he became attached.  On his return he was made tutor of German and literature to the Crown Prince.  In 1828 the Chair of Logics and Metaphysics at Upsala was offered him, and he held this for seven years, when he exchanged it for that of Aesthetics.  In 1839 he was elected a member of the Academy whose bitterest enemy he had been, and so the peace was signed.

Atterbom is undoubtedly the greatest lyrical poet in the ranks of the Phosphorists.  His verses are wonderfully melodious and full of charm, in spite of the fact that his tendency to the mystical at times makes him obscure.  Among the best of his productions are a cycle of lyrics entitled ‘The Flowers’; ‘The Isle of Blessedness,’ a romantic drama of great beauty, published in 1823; and a fragment of a fairy drama, ’The Blue Bird.’  He introduced the sonnet into Swedish poetry, and did a great service to the national literature by his critical work, ’Swedish Seers and Poets,’ a collection of biographies and criticisms of poets and philosophers before and during the reign of Gustavus III.  Atterbom’s life may be accounted long in the way of service, though he died at the age of sixty-five.

THE GENIUS OF THE NORTH

It is true that our Northern nature is lofty and strong.  Its characteristics may well awaken deep meditation and emotion.  When the Goddess of Song has grown up in these surroundings, her view of life is like that mirrored in our lakes, where, between the dark shadows of mountain and trees on the shore, a light-blue sky looks down.  Over this mirror the Northern morning and the Northern day, the Northern evening