This might have described the original owner of the pin and ring, who had died years before, and left the ornaments for her namesake and niece, when she was too young to remember or care for her, but not the niece herself.  She was young, blooming, twenty-two, and the belle of the country-village where she dwelt.

The bed-room where the girl stood and meditated, after her fashion, was six feet by ten in dimensions, and the oval mirror before which she stood was six inches by ten.  It was a genuine relic of the Mayflower, and had been brought over, together with the great chest in the entry, by the grand-grand-grandmother of all the Foxes.  If anybody were disposed to be skeptical on this point, Colonel Fox had only to point to the iron clamp at the end, by which it had been confined to the deck; that would have produced conviction, if he had declared it came out of the Ark.  This was a queer-looking little mirror, in which the young Dorcas saw her round face reflected:  framed in black oak, delicately carved, and cut on the edge with a slant that gave the plate an appearance of being an inch thick.

Sixty years ago there were not many mirrors in country-towns in New England; and in Colonel Fox’s house this and one more sufficed for the family-reflections.  In the “square room,” a modern long looking-glass, framed in mahogany, and surmounted by the American emblem of triumph, was the astonishment of the neighbors,—­and in Walton those were many, though the population was small.

Dorcas looked wistfully and wishingly at the oval pin; but with no more notion of what she was looking at than the child who gazes into the heavens on a winter night.  When she looked into the oval mirror, no dream of the centuries through which it had received on its surface fair and suffering faces, grave, noble, self-sacrificing men, and scenes of trial deep and agonizing,—­no dream of the past disturbed the serene unconsciousness of her gaze.  She looked at the large pearls that formed the long oval pin, and at the exquisite allegorical painting, which, in the quaint fashion of the time of its execution, was colored with the “ground hair” of the beloved; so materializing sentiment, and, as it were, getting as near as possible to the very heart’s blood.  Yet the old gold, the elaborate execution of the quaint classical device, and the fanciful arrangement of the braided hair interwoven with twisted gold letters, all told no tales to the observer, whose unwakened nature, indeed, asked no questions.

The little room, so small that in these days a College of Physicians would at once condemn it, as a cradle of disease and death, had nevertheless for twenty years been the nightly abode of as perfect a piece of health as the country produced.  Whatever might be wanting in height and space was amply made up in inevitable and involuntary ventilation.  Health walked in at the wide cracks around the little window-frame, peeped about in all directions with the snow-flakes in winter and the ready breezes in summer, and settled itself permanently on the fresh cheeks and lips of the light sleeper and early riser.