“But suppose the Doctor should leave you?” objected a friend of ours to a trustee, who had been urging him to buy a pew in a fashionable church.
“Well, my dear sir,” was the business-like reply; “suppose he should. We should immediately engage the very first talent which money can command.”
We can hardly help taking this simple view of things in rich commercial cities. Our worthy trustee merely put the thing on the correct basis. He frankly said what every church does, ought to do, and must do. He stated a universal fact in the plain and sensible language to which he was accustomed. In the same way these business-like Christians have borrowed the language of the Church, and speak of men who are “good” for a million.
The congregation is assembled. The low mumble of the organ ceases. A female voice rises melodiously above the rustle of dry-goods and the whispers of those who wear them. So sweet and powerful is it, that a stranger might almost suppose it borrowed from the choir of heaven; but the inhabitants of the town recognize it as one they have often heard at concerts or at the opera; and they listen critically, as to a professional performance, which it is. It is well that highly artificial singing prevents the hearer from catching the words of the song; for it would have rather an odd effect to hear rendered, in the modern Italian style, such plain straightforward words as these:—
“Can sinners hope
for heaven
Who love this world
so well?
Or dream of future happiness
While on the road to
hell?”