“How findest thou me?”
She stood for inspection.
She was ready, except the gloves. The angle of her hat, the provocation of her veil—these things would have quickened the pulse of a Patagonian. Perfume pervaded the room.
He gave the classic response that nothing could render trite:
“Tu es exquise.”
She raised her veil just above her mouth....
In the drawing-room she hesitated, and then settled down on the piano-stool like a bird alighting and played a few bars from the Rosenkavalier waltz. He was thunderstruck, for she had got not only the air but some of the accompaniment right.
“Go on! Go on!” he urged her, marvelling.
She turned, smiling, and shook her head.
“That is all that I can recall to myself.”
The obvious sincerity of his appreciation delighted her.
“She is really musical!” he thought, and was convinced that while looking for a bit of coloured glass he had picked up an emerald. Marthe produced his overcoat, and when he was ready for the street Christine gazed at him and said:
“For the true chic, there are only Englishmen!”
In the taxi she proved to him by delicate effronteries the genuineness of her confessed “fancy” for him. And she poured out slang. He began to be afraid, for this excursion was an experiment such as he had never tried before in London; in Paris, of course, the code was otherwise. But as soon as the commissionaire of the restaurant at Victoria approached the door of the taxi her manner changed. She walked up the long interior with the demureness of a stockbroker’s young wife out for the evening from Putney Hill. He thought, relieved, “She is the embodiment of common sense.” At the end of the vista of white tables the restaurant opened out to the left. In a far corner they were comfortably secure from observation. They sat down. A waiter beamed his flatteries upon them. G.J.