[1] Daughter of Lord Jersey, and wife of the first Marquis of Anglesea, whom she divorced, when Lord Paget, in 1810:  m. the same year George, sixth Duke of Argyll.

“UPPER BROOK STREET, Monday Evening.

“What can I say sufficiently to express my thanks either to you, my dear Miss Ferrier, or to the author of The Inheritance, whoever she may be, for the most perfect edition of that most perfect book that was ever written! and now that I may be allowed to have my suspicion, I shall read it again with double pleasure.  It was so kind of you to remember your promise!  When I received your kind letter and books this morning I was quite delighted with my beautiful present, and to find I was not forgotten by one of my best friends.”

The Inheritance—­a fact not generally known—­was dramatised and produced at Covent Garden, but had a very short run, and was an utter failure, as might have been expected.  Mrs. Gore was requested to adapt it for the stage by the chief comic actors of the day, and she writes to Miss Ferrier on the subject:—­

“Since the management of Covent Garden Theatre fell into the hands of Laporte, he has favoured me with a commission to write a comedy for him, and the subject proposed by him is again the French novel of L’Heretiere, which turns out to be a literal translation of The Inheritance. He is quite bent upon having Miss Pratt on the stage.  I have not chosen to give Monsieur Laporte any positive answer on the subject without previously applying to yourself to know whether you have any intention or inclination to apply to the stage those admirable talents which are so greatly appreciated in London.”

Mrs. Gore, meanwhile, had been forestalled in her attempt, as a play on the subject had been held before the reader to Covent Garden, and she writes again to Miss Ferrier:—­

“I have since learned with regret that the play is the production of a certain Mr. Fitzball, the distinguished author of the Flying Dutchman, an sixty other successful melodramas, represented with great applause at the Surrey, Coburg, City, and Pavilion Theatres, etc.; in short, a writer of a very low class.  The play of The Inheritance has been accepted at Covent Garden; but, from my knowledge of the general engagements of the theatre, I should say that it has not the slightest chance of approaching to representation.  For your sake it cannot be better than in the black-box of the manager’s room, which secures it at least from performance at the Coburg Theatre.”

We must let the curtain, so to speak, drop on The Inheritance, and pass on to Destiny. This novel also appeared six years after, in 1831, and was dedicated to Sir Walter Scott.  And he acknowledges the compliment as follows:—­

Sir Walter Scott to Miss Ferrier.