appear in a loose cloth, tied under one arm; no tobes,
no beads, no coral, nor grandeur of any kind, must
appear, but on the king alone. In many points
of the ceremonial, in the umbrellas, the prostrations,
the sticks and whips so good-naturedly inflicted on
the crowd, and the extraordinary politeness practised
by these people to each other, we have a singular
approximation to the customs of the celestial empire.
The theatrical entertainments, too, which are acted
before the king, are quite as amusing, and almost
as refined, as any which his celestial majesty can
command to be exhibited before a foreign ambassador.
The king of Youriba made a point of the travellers
staying to witness one of these theatrical entertainments.
It was exhibited in the king’s park, in a square
place, surrounded by clumps of trees. The first
performance was that of a number of men dancing and
tumbling about in sacks, having their heads fantastically
decorated with strips of rags, damask silk, and cotton
of variegated colours, and they performed to admiration.
The second exhibition was hunting the boa snake by
the men in the sacks. The huge snake, it seems,
went through the motions of this kind of reptile in
a very natural manner, though it appeared to be rather
full in the belly, opening and shutting its mouth
in the most natural manner imaginable. A running
fight ensued, which lasted some time, till at length
the chief of the bagmen contrived to scotch its tail
with a tremendous sword, when he gasped, twisted up,
and seemed in great torture, endeavouring to bite his
assailants, who hoisted him on their shoulders, and
bore him off in triumph. The festivities of the
day concluded with the exhibition of the
white
devil, which had the appearance of a human figure
in white wax, looking miserably thin, and as if starved
with cold, taking snuff, rubbing its hands, treacling
the ground as if tender-footed, and evidently meant
to burlesque and ridicule a white man, while his sable
majesty frequently appealed to Clapperton, whether
it was not well performed. After this, the king’s
women sang in chorus, and were accompanied by the
whole crowd.
The method of salutation is very singular. The
king, for instance, on saluting Captain Clapperton,
lifted up his hands three times, repeating, “Ako!
ako!” (How do you do?) the women behind him standing
up and cheering them, and the men on the outside joined.
It was impossible to count the number of his ladies,
they were so densely packed, and so very numerous.
In a private visit subsequently paid to the travellers,
the king assured them that they were truly welcome;
that he had frequently heard of white men; but that
neither himself nor his father, nor any of his ancestors,
had ever seen one. He was glad that white men
had come at this time, and now, he trusted, his country
would be put right, his enemies brought to submission,
and he would be enabled to build up his father’s
house, which the war had destroyed.