best.  Would Luck consider taking the company and going on with the big five-reel feature which Burns had just begun?  Dewitt was prepared to offer special inducements and to make the position a permanent one.  He would give Burns a dramatic company to produce features at the studio, he said, and would give Luck the privilege of choosing his own scenarios and producing them in his own way.  Could Luck arrange to meet Dewitt at four that afternoon?

Luck could, by cancelling his appointment with a smaller and less important company, which he did promptly and with no compunctions whatever.  He did more than that; he postponed the other two appointments, knowing in his heart that his chances would not be lessened thereby.  After that he built a castle or two while he waited for the appointment.  The Great Western Company had been a step higher than he had hoped to reach.  Robert Grant Burns he had considered a fixture with the company.  It had never entered his mind that he might possibly land within the Great Western’s high concrete wall,—­and that other wall which was higher and had fewer gates, and which was invisible withal.  That the great Dewitt himself should seek Luck out was just a bit staggering.  He wanted to go out and tell the bunch about it, but he decided to wait until everything was settled.  Most of all he wanted the Acme to know that Dewitt wanted him; that would be a real slap in the face of Mart’s judgment, a vindication of Luck’s abilities as a director.

What Luck did was to telephone the hospital and learn all he could about Burns’ condition.  He was genuinely sorry that Burns was sick, even though he was mightily proud of being chosen as Burns’ successor.  He even found himself thinking more about Burns, after the first inner excitement wore itself out, than about himself.  Burns was a good old scout.  Luck hated to think of him lying helpless in the grip of typhoid.  So it was with mixed emotions that he went to see Dewitt.

Dewitt wanted Luck—­wanted him badly.  He was frank enough to let Luck see how much he wanted him.  He even told Luck that, all things being equal, he considered Luck a better Western director than was Robert Grant Burns, in spite of the fact that Burns had scored a big success with his Jean, of the Lazy A serial.  You cannot wonder that Luck’s spirits rose to buoyancy when he heard that.  Also, Dewitt named a salary bigger than Luck had ever received in his life, and nearly double what the Acme had paid him.  Luck spoke of his Big Picture, and when he outlined it briefly, Dewitt did not say that it seemed to lack action.

Dewitt had watched Luck with his keen blue eyes, and had observed that Luck owned that priceless element of success, which is enthusiasm for his work.  Dewitt had listened, and had told Luck that he would like to see the Big Picture go on the screen, and that he would be willing to pay him for the scenario and let him make it where and how he pleased.  He even volunteered to try and persuade Jean Douglas, of Lazy A fame, to come back and play the leading woman’s part.