and hands,
i.e., centripetal. Woman’s
instinctive and unconscious gestures are
towards
herself, man’s are
away from himself.
The physiologist might hold that the anatomical differences
between the sexes result from their difference in function
in the reproduction and conservation of the race,
and this is a true view, but the lesser truth need
not necessarily exclude the greater. As Chesterton
says, “Something in the evil spirit of our time
forces people always to pretend to have found some
material and mechanical explanation.” Such
would have us believe, with Schopenhauer and Bernard
Shaw, that the lover’s delight in the beauty
of his mistress dwells solely in his instinctive perception
of her fitness to be the mother of his child.
This is undoubtedly a factor in the glamour woman
casts on man, but there are other factors too, higher
as well as lower, corresponding to different departments
of our manifold nature. First of all, there is
mere physical attraction: to the man physical,
woman is a cup of delight; next, there is emotional
love, whereby woman appeals through her need of protection,
her power of tenderness; on the mental plane she is
man’s intellectual companion, his masculine
reason would supplement itself with her feminine intuition;
he recognizes in her an objectification, in some sort,
of his own soul, his spirit’s bride, predestined
throughout the ages; while the god within him perceives
her to be that portion of himself which he put forth
before the world was, to be the mother, not alone of
human children, but of all those myriad forms, within
which entering, “as in a sheath, a knife,”
he becomes the Enjoyer, and realizes, vividly and
concretely, his bliss, his wisdom, and his power.
Adam and Eve, and the tree in the midst of the garden!
After man and woman, a tree is perhaps the most significant
symbol in the world: every tree is the Tree of
Life in the sense that it is a representation of universal
becoming. To say that all things have for their
mother prakriti, undifferentiated substance,
and for their father purusha, the creative
fire, is vague and metaphysical, and conveys little
meaning to our image-bred, image-fed minds; on the
physical plane we can only learn these transcendental
truths by means of symbols, and so to each of us is
given a human father and a human mother from whose
relation to one another and to oneself may be learned
our relation to nature, the universal mother, and to
that immortal spirit which is the father of us all.
We are given, moreover, the symbol of the tree, which,
rooted in the earth, its mother, and nourished by
her juices, strives ever upward towards its father,
the sun. The mathematician may be able to demonstrate,
as a result of a lifetime of hard thinking, that unity
and infinity are but two aspects of one thing; this
is not clear to ordinary minds, but made concrete
in the tree—unity in the trunk, infinity
in the foliage—any one is able to understand