After the Congress of Paris, Cavour took the Foreign Office in addition to the Ministry of Finance. He could not trust either of these departments to other hands; and the country approved, for the conviction gained ground that, whether he was mad or not, only he could extricate it from the situation into which he had drawn it. When one senator called him a dictator, he retorted that, if Parliament refused him its support, he should go away, which was not the habit of dictators. But the mere threat of resignation brought the most recalcitrant to reason. Thus he continued to obtain large sums to carry out the works he deemed necessary, one of the greatest of which was the transfer of the arsenal from Genoa to Spezia—a step which angered the Genoese on one side, and on the other the old conservatives, who asked what had little Piedmont to do with big fleets? “But the fact was,” Count Solaro said with a sneer, “the Prime Minister had all Italy in view, and was preparing for the future kingdom.” Cavour also forced Parliament to vote the supplies required for undertaking the boring of Mont Cenis, which most of the deputies expected would be a total failure. In proposing this vote he declared that they must advance or perish. He was delighted with a phrase with which Lord Palmerston concluded a congratulatory letter sent to the Sardinian legation in London, and written in elegant Italian: “Henceforth no one will talk of the works of the ancient Romans.” This little episode wiped out the last traces of misunderstanding between the two statesmen, who became again what fate had meant them to be, friends and fellow-workers. Cavour’s budgets had the inherent defect that they continued to show increased expenditure and a deficit, but no minister who had lacked the power