“The curious chantry of St. Richard, an object of veneration among Catholics even to our own days, and the elegant stone screen of the roodloft, have been literally plastered with whitewash, the rich sculptured bosses being converted into apparently unshapely lumps of chalk, and the flat spaces within the heads of the Norman arches of the nave, which are sculptured with scales and flowers, are almost reduced to a plane surface.... The removal of this rubbish would be a work of time; it should be gradually and effectually performed arch by arch, or its removal may carry away with it many of the sculptures it may conceal. This will certainly be the case if any London architect, with a contractor at his heels, sets about a thorough repair to be completed in a given time....
“The more ancient injuries which the appearance of the cathedral had sustained were, in the first instance, occasioned by the erection of a breastwork in front of the triforium, which concealed the bases and half the shafts of the columns; this might now be easily removed as the object of its erection, to protect from accident the spectators of the ancient processions, has ceased to exist. Since the Reformation a great portion of the nave has been fitted up with pews, the congregation adjourning from the choir to the nave to hear the sermon. I need not point out the injury the nave sustains in appearance from this cause and many points of perspective, highly picturesque, which would arise from the singular duplication of the aisles of this church are entirely lost through the existence of the sermon place.”
On the south side of the nave is the entrance to the irregularly built cloisters; here are several monuments and a good view of the interesting details of the exterior of the cathedral. The Bishop’s Palace is at the west end; it has an Early English chapel in which is an interesting fresco of the Virgin and Child. At the south-east angle of the cloister is the Chantry of St. Faith dating from the early fourteenth century.
[Illustration: BELL TOWER, CHICHESTER.]
The Bell Tower, which is an unique feature of the Cathedral, dates from the late fifteenth century; it was built to relieve the central tower of the main building from the weight of the eight bells, most of them ancient, with quaintly worded and spelt inscriptions. The Arundel screen has been placed within the tower, but special permission must be obtained to see this.
The old documents in the Cathedral muniment room are quaint reading, especially in these post-war days; here are a few items taken at random from an old book of accounts:—
Payd Thomas the broderer for his labors in amendyng of dyverse cooppes vestments and other ornaments of the church workynge thereabouts by the space of IIII wyks after Chrystmas VI s
For hys comones so longe IIII s
Payd unto Wolsey the masson for amendynge of the tumbe in our Lady Chapell that was broken uppe when the Commissionars were here from the Councell to serch the same XV d
(This was possibly the shrine of St. Richard.)