Title:  The Mirror of Literature, Amusement, and Instruction Volume 17, No. 478, Saturday, February 26, 1831

Author:  Various

Release Date:  June 11, 2004 [EBook #12576]

Language:  English

Character set encoding:  ASCII

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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

Vol.  XVII, no. 478.] Saturday, February 26, 1831. [Price 2d.

* * * * *

AUTOGRAPHS OF EMINENT PERSONS.

[Illustration:  Autographs of eminent persons.]

AUTOGRAPHS.

It is long since our pages were illustrated with such characteristic lineaments as those on the opposite page.  The reader will, however, perceive that we have not entirely forgotten the quaint motto from Shenstone, in our earlier volumes—­

“I want to see Mrs. Jago’s handwriting, that I may judge of her temper.”

Still the annexed Autographs have not been drawn from our own portfolio:  they come “frae North,” being selected from an engraved Plate of forty-three signatures, published with No. 28 of the Edinburgh Literary Journal, and prefixed to a pleasing chapter on “the connexion between character and handwriting”—­from which we select only a few anecdotical traits.

Anne Grant:  “We have given Mrs. Grant of Laggan’s present hand, in which may be discovered a little of the instability of advancing life; but there is a well-rounded breadth and distinctness in the formation of the letters, which seems to carry along with it evidence of the clear and judicious mind of the talented authoress of ’Letters from the Mountains.’”

D. Stewart:—­“General Stewart of Garth, a free, bold, military hand; his signature is taken from a letter complimenting in high terms Mr. Chambers’s History of the Rebellion of 1745.”

Allan Cunningham:—­an easy flow of tasteful handwriting.  “Allan Cunningham,” observes the reviewer, “has raised himself like Hogg; but, instead of the plough, he has handled the chisel; and there is in his constitution an inherent love of the fine arts, which brings his thoughts into more grateful channels.  We are well aware that there is a warmth and breadth of character about Cunningham which mark ’the large-soul’d Scot;’ but looking forward to his forthcoming Lives of the British Painters, Sculptors, and Architects, we do not conceive this to be in the least inconsistent with the easy flow of his tasteful handwriting.”