California Sketches, Second Series eBook

This eBook from the Gutenberg Project consists of approximately 220 pages of information about California Sketches, Second Series.

California Sketches, Second Series eBook

This eBook from the Gutenberg Project consists of approximately 220 pages of information about California Sketches, Second Series.
porpoise is a deceiver.  As he rolls up to the surface of the water, in his lumbering way, he looks as if he were a huge lump of unwieldy awkwardness, floating at random and almost helpless; but when you come to know him better, you find that he is a marvel of muscular power and swiftness.  I have seen a “school” of porpoises in the Pacific swimming for hours alongside one of our fleetest ocean-steamers, darting a few yards ahead now and then, as if by mere volition, cutting their way through the water with the directness of an arrow.  The porpoise is playful at times, and his favorite game is a sort of leap-frog.  A score or more of the creatures, seemingly full of fun and excitement, will chase one another at full speed, throwing themselves from the water and turning somersaults in the air, the water boiling with the agitation, and their huge bodies flashing in the light.  You might almost imagine that they had found something in the sea that had made them drunk, or that they had inhaled some sort of piscatorial anaesthetic.  But here we are at our destination.  The bell rings, we round to, and land.

At San Quentin nature is at her best, and man at his worst.  Against the rocky shore the waters of the bay break in gentle splashings when the winds are quiet.  When the gales from the southwest sweep through the Golden Gate, and set the white caps to dancing to their wild music, the waves rise high, and dash upon the dripping stones with a hoarse roar, as of anger.  Beginning a few hundreds of yards from the water’s edge, the hills slope up, and up, and up, until they touch the base of Tamalpais, on whose dark and rugged summit, four thousand feet above the sea that laves his feet on the west, the rays of the morning sun fall with transfiguring, glory while yet the valley below lies in shadow.  On this lofty pinnacle linger the last rays of the setting sun, as it drops into the bosom of the Pacific.  In stormy weather, the mist and clouds roll in from the ocean, and gather in dark masses around his awful head, as if the sea-gods had risen from their homes in the deep, and were holding a council of war amid the battle of the elements; at other times, after calm, bright days, the thin, soft white clouds that hang about his crest deepen into crimson and gold, and the mountaintop looks as if the angels of God had come down to encamp, and pitched here their pavilions of glory.  This is nature at San Quentin, and this is Tamalpais as I have looked upon it many a morning and many an evening from my window above the sea at North Beach.

The gate is opened for us, and we enter the prison-walls.  It is a holiday, and the day is fair and balmy; but the chill and sadness cannot be shaken off, as we look around us.  The sunshine seems almost to be a mockery in this place where fellow-men are caged and guarded like wild beasts, and skulk about with shaved heads, clad in the striped uniform of infamy.  Merciful God! is this what thy creature man was made for?  How long, how long?

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California Sketches, Second Series from Project Gutenberg. Public domain.