This phase of life deserves particular emphasis for the reason that there has recently been growing up among the lumber-camps from the Bay of Fundy to Puget Sound the legend of a mythical hero named Paul Bunyan who is the only personage of the sort yet invented and elaborated by the ordinary run of men in any American calling. Paul is less a patron saint of the loggers than an autochthonous Munchausen, whose fame has been extended almost entirely by word of mouth among lumbermen resting from their work and vying with one another to see who could tell the most stupendous yarn about Paul’s prowess and achievements. The process resembles that which in the folk everywhere has evolved enormous legends about favorite heroes; the legend concerning Paul, however, is essentially native in its accurate geography, in its passion for grotesque exaggeration, in its hilarious metaphors, in its dry, drawling, straight-faced narrative method. Exaggeration such as that in some of these stories verges upon genius. When Paul goes West he carelessly lets his pick drag behind him and cuts out the Grand Canyon of the Colorado; he raises corn in Kansas prodigious enough to suck the Mississippi dry and stop navigation; he builds a hotel so high that he has “the last seven stories put on hinges so’s they could be swung back for to let the moon go by”; he achieves such feats of eating and drinking and working and fighting and loving as make Hercules himself seem a pallid fellow who should have gone upon the rowdy American frontier to learn the great ways of adventure. Though it is true that the legend has been developing for many years without adequate literary use of it having yet been made, it lies ready for romance to handle; and no discussion of contemporary American fiction can go deeper than the surfaces without at least mentioning that hilarious chapbook Paul Bunyan Comes West.