Of course all these differences of opinion between the mother and the son were carefully intensified by Prince Bismarck, and aggravated by the continued presence of the Prince of Wales, who was regarded, probably unjustly, as largely responsible for the animosity which it was claimed was entertained and manifested by the imperial widow for her son.  The newspapers took sides in the matter, and the press being very active, there is every reason to believe, in view of the wide field of German and foreign journalism over which the influences of the chancellor extended at the time, that he had a finger, not alone in the denunciation on the one hand of Empress Frederick as grasping, mercenary, and too much of an Englishwoman to be a patriotic German, but likewise in the abuse of Emperor William for unfilial conduct.  Every act of his that could possibly be construed as such, was painted in the blackest of colors, especially in the English press, manifestly with the idea of conveying to the kaiser the impression that the attacks originated with his English relatives, possibly with his mother herself; and I can recall seeing at the time a story to which the London papers devoted columns, and which was made the theme of editorials, the subject of which was that the emperor had sold to a carpenter the pony-carriage and pony used by his father daring the few weeks immediately preceding his death, for his drives in the palace gardens.  The story related with much detail about how the pony trap was to be seen during the week in the streets of Potsdam, laden with window-sashes, etc., while on Sunday and holidays the seat where formerly the dying emperor reclined was occupied by the “Herr Tischlermeister” and his frowsy, vulgar-looking “frau.”  Yet there was not a word of truth in this story.  The pony-carriage used by “Unser Fritz” during the closing days of his life is preserved as a species of sacred relic in the imperial coach-house at Potsdam, while the pony leads a life of ease, idleness and equine luxury, out of regard for the fact that it had the honor of drawing the moribund monarch around the grounds of Charlottenburg and Potsdam.  Inasmuch as this precious story about Emperor William’s selling the pony-carriage in question first made its appearance in a London newspaper, which, as long as Bismarck remained in office, was regarded as his particular organ in the British press, being owned by a gentleman bearing a distinctly German name, there is every reason to believe that the tale in question originated with some of the journalistic myrmidons employed by the chancellor, and that its object was to embitter William against the English, against his British kinsfolk, and, above all, against his mother.