The empress is ever ready to help in every good work, and her private charities are very great, but she does not approve of the higher education or the emancipation of women, and entertains a holy horror of everything pertaining to the female suffrage movement.  Women, according to her views, should remain in their own sphere, and should regard their duties to their husbands, their children, and their homes as their first and foremost obligations; the nursing of the sick, the training of young people, and the organization and direction of charitable institutions, affording plenty of scope for those members of the fair sex who have no domestic tasks to occupy their time.

[Illustration:  AUGUSTE VICTORIA EMPRESS OF GERMANY] From Life

She claims that in this way a woman is able to exercise a far more important and beneficial influence than by endeavoring to supplant men in professions essentially masculine, and certainly she herself constitutes a striking illustration of the truth of her contention, for the influence of the present German empress is felt throughout the length and breadth of the land—­a gracious womanly influence in every sense of the word.

Among the many philanthropic organizations which owe their origin to the empress, is the Central Association of German Actresses, which has of late years done more towards elevating the stage than has ever been accomplished by members of the aristocracy who have seen fit to join the dramatic profession with that avowed object in view.  The work of this society is to enable actresses to provide themselves, at the lowest possible cost, with the costumes considered necessary by the managers of the theatres.  It is well known that while in Germany the pieces are beautifully put on the stage, the salaries paid to the actresses do not in many cases cover the expenses of the stage dresses.  The empress makes a point of giving all her court and evening gowns, which were formerly the perquisites of her dressers and maids, to the association, and has invited the ladies of the Court of Berlin to follow her example.  Those ladies who feel that they cannot afford to give the dresses, are asked to sell them to the Association as cheaply as possible, and the latter then turns them over at a merely nominal cost to such ladies of the dramatic profession as are considered worthy of support and assistance.

This organization is managed entirely by great ladies, the empress herself acting as president, and in this manner they are brought into personal contact with actresses both of high and low degree.  The intercourse thus established has been most beneficial, for it has not only helped to place the social status of the stage on a more agreeable basis, but it also constitutes an incentive to actresses to keep their names and reputations free from blemish, since they naturally understand that the empress and the great ladies of the aristocracy can only treat them as friends, so long as they live up to the same standard of respectability as that which prevails in the highest circles of society, and at court.