CHAPTER XI

If I have refrained in the preceding chapter from making any mention of the attainments of the Dowager Empress Frederick, either as a sculptor or as a painter, it is because she is so immeasurably superior to all other royal personages in the realms of art that she can no longer be regarded as a mere amateur, no matter how clever.  Besides this, her individuality is so strong, her intellectual gifts so great, and the part which she has played in German politics so important that she really deserves separate treatment.

If I link her name with that of her daughter-in-law, Empress Augusta-Victoria, it is because the latter’s influence on German affairs has been even still more weighty, though she is far less brilliant and clever than her husband’s mother.  Indeed my readers after perusing this chapter may feel disposed to ask themselves whether ordinary intelligence in high places does not work more successfully than genius.

It is difficult to describe Empress Frederick as anything else than a genius.  Certainly I have never known a more gifted woman.  The diversity, the scope, and the depth of her knowledge are simply amazing.  In conversation it is difficult to broach any subject, no matter what it is, that she has not mastered.  Her acquaintance with the mediaeval, Renaissance and modern schools of painting, and with every form and work of art industry is unsurpassed even by those men who have devoted their entire lives to these studies.  I have on one and the same evening heard her converse on Venetian art with Ludovic Passini, proving herself his equal in her astounding knowledge of Venice, past and present; talk with a distinguished physician, who was amazed by the theoretical knowledge which she displayed of the throat and breathing organs, and who declared that if she had only had practical experience, she would have been the finest throat specialist in the world; and discuss literature with a celebrated Englishman of letters, chiding him upon his admitting his inability to cap a passage from Pope, which she quoted!  The late Sir Richard Wallace, than whom no one possessed a more profound knowledge of the masterpieces of the painters, goldsmiths, jewelers and potters of bygone centuries, was wont to declare that Empress Frederick surpassed him as an expert, although, with unlimited wealth at his disposal, he had devoted more than half a century of his life to the collection of “chefs d’oeuvre” in all parts of the world.

The depth of her researches into chemical science exceeds that of Lord Salisbury, who is her most intimate personal friend in England, and at whose Elizabethan country seat she invariably visits when in her native country, most of her time while under his roof being spent with him in his laboratory.  But it is particularly as an artist, both with brush and chisel, that she excels, and while as a painter she ranks with some of the leading professional masters of the present day, as a sculptor she surpasses anything achieved or even attempted as yet by a woman.