Deadham Hard eBook

This eBook from the Gutenberg Project consists of approximately 604 pages of information about Deadham Hard.

Deadham Hard eBook

This eBook from the Gutenberg Project consists of approximately 604 pages of information about Deadham Hard.

But here the train, emerging from the broken hilly country on the outskirts of the forest, roared along the embankment which carries the line across the rich converging valleys of the Wilner and the Arne.  Tom ceased to think either of possible advantage accruing to his own fortunes, or these defects of the family humour which had combined to dictate his present excursion, his attention being absorbed by the beauty of the immediate outlook.  For on the left Marychurch came into view.

The great, grey, long-backed abbey stands on a heart-shaped peninsula of slightly rising ground.  Its western tower, land-mark for the valleys and seamark for vessels making the Haven, overtops the avenue of age-old elms which shade the graveyard.  Close about the church, the red brick and rough-cast houses of the little market-town—­set in a wide margin of salt-marsh and meadow intersected by blue-brown waterways—­gather, as a brood of chickens gathers about a mothering hen.  Beyond lie the pale glinting levels of the estuary, guarded on the west by gently upward sloping cornlands and on the south by the dark furze and heath-clad mass of Stone Horse Head.  Beyond again, to the low horizon, stretches the Channel sea.

The very simplicity of the picture gives it singular dignity and repose.  Classic in its clearness of outline and paucity of detail, mediaeval in sentiment, since the great Norman church dominates the whole, its appeal is at once wistful and severe.  And, this afternoon, just as the nearness of the sea tempered the atmosphere lifting all oppressive weight from the brooding sunshine, so did it temper the colouring, lending it an ethereal quality, in which blue softened to silver, grey to lavender, while green seemed overspread by powdered gold.  The effect was exquisite, reminding Tom of certain water-colour drawings, by Danvers and by Appleyard, hanging in the drawing-room of the big house at Canton Magna, and of certain of Shelley’s lyrics—­both of which, in their different medium, breathed the same enchantment of natural and spiritual loveliness, of nameless desire, nameless regret.  And, his nerves being somewhat strained by the emotions of the day, that enchantment worked upon him strangely.  The inherent pathos of it, indeed, took him, as squarely as unexpectedly, by the throat.  He suffered a sharp recoil from the solicitation of the future, an immense tenderness towards the past.—­A tenderness for those same years of tutelage and all they had brought him, not only in over-flowing animal spirits, happy intercourse and intellectual attainment; but in their limitation of private action, their security of obligation, of obedience to authority, which at the time had seemed irksome enough and upon release from which he had so recently congratulated himself.

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Deadham Hard from Project Gutenberg. Public domain.