red, white, yellow, and blue feathers, about the size of our Spanish pyes, the name of which I have forgot.  There were also great numbers of parrots, and geese of fine plumage; all these birds breeding in the royal aviary, and being annually stripped of their feathers at the proper season, to supply the workers in feather-work.  There was likewise a large pond of clear water, in which were kept a number of large birds of a red colour with very long legs, resembling those called Ipiris in Cuba, and called flamingos by the Spaniards.  In another great building we saw a temple dedicated to the war gods, in which were kept great numbers of ferocious beasts, as tigers, lions of two species, one of which called Adive resembled a wolf; also foxes, and other smaller animals, all of them carnivorous.  Most of these were bred in this menagerie, and were fed upon game, fowls, and dogs, and, as I was informed, on the bodies of the sacrificed human victims.  Their manner of sacrifice was said to be as follows:  They open the breasts of the living victim with large stone knives, offering his heart and blood to their gods; they feast on the head and limbs, giving the bodies to be devoured by the wild beasts, and hanging up the skulls in the temples as trophies of their misguided piety.  In this place likewise there were many vipers and serpents, the most dangerous of which have a kind of rattle on their tails, making a noise like our castanets.  These are kept in vessels filled with feathers, where they breed, and are fed with human flesh and the carcases of dogs.  I was assured, after our expulsion from Mexico, that these animals were fed for many days on the bodies of our companions who perished on that occasion.  These ravenous beasts and horrid reptiles are fit companions for their infernal deities; and when they yelled and hissed, that part of the palace might be likened to hell itself.

The town in which most of the Mexican artists resided was called Azcapozalco, about a league from the city of Mexico, in which were many shops and manufactories of those who wrought in gold, silver, and jewellery, whose productions surprised the ablest Spanish artist on being carried over to Spain.  Their painters were also exceedingly expert, as may be judged from what we still see among them; as there are now three Indian painters in Mexico, named Marcos de Aquino, Juan de la Cruz, and Grespillo, who are not inferior to Michael Angelo or Berreguete among the moderns, and might even have vied with Apelles.  The fine cotton manufactures of the Mexicans were principally brought from the province of Costitlan.  The women likewise of Montezumas family of all ranks, were exceedingly expert in these kinds of work, and were continually employed; as were also certain females who lived together in a kind of secluded societies, like our nuns.  One division of the city was entirely inhabited by Montezumas dancers and posture-makers; some of whom danced like those Italians whom we call Matachines;