“From what has been said, it will be obvious that our common fires and chimneys are most powerful ventilators, though their good services in this respect are often overlooked.  As soon as the fire is lighted, a rapid ascending current of air is established in the chimney, and consequently there must be a constant ingress of fresh air to supply this demand, which generally enters the room through the crevices of the doors and windows.  When these are too tight, the chimney smokes or the fire will not draw; and in such cases it is sometimes necessary to make a concealed aperture in some convenient part of the room for the requisite admission of air, or to submit to sitting with a window or door partly open.  Any imperfect action of the chimney, or descending current, is announced by the escape of smoke into the room, and is frequently caused by the flue being too large, or not sufficiently perpendicular and regular in its construction.  When there is no fire, the chimneys also generally act as ventilators; and in summer there is often a very powerful current up them, in consequence of the roof and chimney-pots being heated by the sun, and thus accelerating the ascent of the air.  In a well-constructed house there should be sufficient apertures for the admission of the requisite quantity of air into the respective rooms, without having occasion to trust to its accidental ingress through every crack and crevice that will allow it to pass.  These openings may either be concealed, or made ornamental, and by proper management may be subservient to the admission of warm air in winter.”

* * * * *

HENRI III.  OF FRANCE.

We quote the following scene from one of the Tales recently published in three volumes with the general cognomen of Chantilly.  It is from the longest and most successful of the stories called “D’Espignac,” in the time of Henri III., and, as our extract shows, the scenes and sketches exhibit considerable talent, and a certain graphic minuteness which has become very popular in modern novels.  The tale itself is not to our purpose, but we promise the reader a petit souper of horrors from its perusal, especially to those who woo terror to delight them.  The pen is young and feminine, and of high promise.  The occasion of the following scene is an interview of one of the characters with Henri.

“It was a small dark apartment, hung round with tapestry, the ceiling richly decorated with massive ornaments of carved oak, and the floor covered with a dark-coloured carpet of Turkey manufacture, so thick and soft that the footsteps fell unheard as they advanced over it.  It was here that the monarch usually spent his leisure hours, and various were the objects indicative of his tastes and habits scattered around, in a confusion which completely put to flight all ideas of study or devotion in the mind of the visiter.