by Mrs. Keith, Tristram Shandy[191], Tom Jones, Humphrey
Clinker, etc., were on the drawing-room tables
of ladies whose grandchildren or great-grandchildren
never saw them, or would not acknowledge it if they
had seen them. But authors not inferior
to Sterne, Fielding, or Smollett, are now popular,
who, with Charles Dickens, can describe scenes of
human life with as much force and humour, and yet
in whose pages nothing will be found which need offend
the taste of the most refined, or shock the feelings
of the most pure. This is a change where there
is also great improvement. It indicates not merely
a better moral perception in authors themselves, but
it is itself a homage to the improved spirit of the
age. We will hope that, with an improved exterior,
there is improvement in society within.
If the feelings shrink from what is coarse in expression,
we may hope that vice has, in some sort, lost attraction.
At any rate, from what we discern around us we hope
favourably for the general improvement of mankind,
and of our own beloved country in particular.
If Scotland, in parting with her rich and racy dialect,
her odd and eccentric characters, is to lose something
in quaint humour and good stories, we will hope she
may grow and strengthen in better things—good
as those are which she loses. However this may
be, I feel quite assured that the examples which I
have now given, of Scottish expressions, Scottish modes
and habits of life, and Scottish anecdotes, which belong
in a great measure to the past, and yet which are
remembered as having a place in the present century,
must carry conviction that great changes have taken
place in the Scottish social circle. There were
some things belonging to our country which we must
all have desired should be changed. There were
others which we could only see changed with regret
and sorrow. The hardy and simple habits of Scotsmen
of many past generations; their industry, economy,
and integrity, which made them take so high a place
in the estimation and the confidence of the people
amongst whom they dwelt in all countries of the world;
the intelligence and superior education of her mechanics
and her peasantry, combined with a strict moral and
religious demeanour, fully justified the praise of
Burns when he described the humble though sublime
piety of the “Cottar’s Saturday Night,”
and we can well appreciate the testimony which he bore
to the hallowed power and sacred influences of the
devotional exercises of his boyhood’s home,
when he penned the immortal words:—
“From scenes like
these old Scotia’s grandeur springs,
That makes her loved
at home, revered abroad.”