You, the student, should begin by making yourself a good recipient—­that is a good “mind reader,” allowing others to play the part of projector.  Later on, you may play the part of projector, if you so desire, but the real “fine work” is done by the recipient, and, for that reason that is the part you should learn to play by frequent rehearsals.

I advise you to begin your experiments with friends who are in sympathy with you, and who are interested in the subject.  Avoid particularly all early experiments with uncongenial or unsympathetic persons; and avoid as you would a pestilence all those who are antagonistic either to yourself or to the general subject of telepathy and kindred subjects.  As you must make yourself especially “sensitive” in order to successfully conduct a mind-reading test, you will find yourself particularly susceptible to the mental attitude of those around you at such times, and therefore should surround yourself only with those who are congenial and sympathetic.

You will find that there is a great difference between the several persons whom you “try out” as projectors.  Some will be more “en rapport” with you than are others who may be equally good friends.  “En rapport,” you know, means “in vibrational harmony.”  When two persons are en rapport with each other, they are like two wireless telegraphic instruments perfectly attuned to each other.  In such cases there are obtained the very best results.  You will soon learn to distinguish the degree of en rapport conditions between yourself and different persons—­you soon learn to “feel” this condition.  In the beginning, it will be well for you to try several persons, one after the other, in your mind-reading experiments, in order to pick out the best one, and also to learn the “feel” of the different degrees of en rapport condition.

Even in cases of persons in whom the en rapport conditions are good, it is well to establish a rhythmic unison between you.  This is done by both you and the person breathing in rhythmic unison a few moments.  Begin by counting “one-two-three-four,” like the slow ticking of a large clock.  Have the other person join with you in so counting, until your minds both work in the same rhythmic time.  Then you should have him breathe in unison with you, making a mental count with you at the same time, so that you will “breathe together.”  Count (mentally) “one-two-three-four,” as you inhale; the “one-two,” holding the breath; and, then “one-two-three-four,” exhaling or breathing-out.  Try this several times, and, you will find that you have established a rhythmic unison between yourself and the other person.  In the progress of an experiment, if you should find that the conditions are not as good as might be desired, you will do well to pause for a few moments and re-establish the proper rhythmic harmony by this method of harmonious rhythmic breathing.