The German Classics of the Nineteenth and Twentieth Centuries, Volume 06 eBook

This eBook from the Gutenberg Project consists of approximately 679 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 06.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 06 eBook

This eBook from the Gutenberg Project consists of approximately 679 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 06.
sensation.  If we succeed in grasping the sensation in its conception we shall comprehend the character of the mountain.  This character is entirely German as regards not only its advantages but also its defects.  The Brocken is a German.  With German thoroughness he points out to us—­sharply and accurately defined as in a panorama—­the hundreds of cities, towns, and villages which are principally situated to the north, and all the mountains, forests, rivers, and plains which extend endlessly in all directions.  But for this very reason everything appears like a sharply designed and perfectly colored map, and nowhere is the eye gratified by really beautiful landscapes—­just as we German compilers, owing to the honorable exactness with which we attempt to give all and everything, never appear to think of giving the details in a beautiful manner.

[Illustration:  THE BROCKEN INN ABOUT 1830]

The mountain, in consequence, has a certain calm, German, intelligent, tolerant character, simply because he can see things so distant yet so distinctly.  And when such a mountain opens his giant eyes, it may be that he sees somewhat more than we dwarfs, who with our weak eyes climb over him.  Many indeed assert that the Blocksberg is very Philistian, and Claudius once sang “The Blocksberg is the lengthy Sir Philistine;” but that was an error.  On account of his bald head, which he occasionally covers with a cloud-cap, the Blocksberg has indeed a somewhat Philistian aspect, but this with him, as with many other great Germans, is the result of pure irony; for it is notorious that he has his wild student and fantastic periods, as, for instance, on the first night of May.  Then he casts his cloud-cap uproariously and merrily into the air, and becomes, like the rest of us, romantic mad, in real German fashion.

I soon sought to entrap the beauty into a conversation, for we begin to fully enjoy the beauties of nature only when we talk about them on the spot.

* * * * *

While we conversed twilight stole, the air grew colder, the sun sank lower and lower, and the tower platform was filled with students, traveling mechanics, and a few honest citizens with their spouses and daughters, all of whom were desirous of witnessing the sunset.  It is truly a sublime spectacle, which tunes the soul to prayer.  For a full quarter of an hour all stood in solemn silence, gazing on the beautiful fire-ball as it gradually sank in the west; our faces were bathed in the rosy light; our hands were involuntarily folded; it seemed as if we, a silent congregation, stood in the nave of a giant cathedral, that the priest raised the body of the Lord, and the Palestrina’s immortal hymns poured forth from the organ.

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The German Classics of the Nineteenth and Twentieth Centuries, Volume 06 from Project Gutenberg. Public domain.