The German Classics of the Nineteenth and Twentieth Centuries, Volume 06 eBook

This eBook from the Gutenberg Project consists of approximately 679 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 06.

The German Classics of the Nineteenth and Twentieth Centuries, Volume 06 eBook

This eBook from the Gutenberg Project consists of approximately 679 pages of information about The German Classics of the Nineteenth and Twentieth Centuries, Volume 06.
lattice of which one could look down on the lower floor of the synagogue.  There, behind high praying-desks, stood the men in their black cloaks, their pointed beards shooting out over white ruffs, and their skull-capped heads more or less concealed by a four-cornered scarf of white wool or silk, furnished with the prescribed tassels, and in some instances also adorned with gold lace.  The walls of the synagogue were uniformly white-washed, and no ornament was to be seen other than the gilded iron grating around the square stage, where extracts from the Law were read, and the holy ark, a costly embossed chest, apparently supported by marble columns with gorgeous capitals, whose flower-and leaf-work shot up in beautiful profusion, and covered with a curtain of purple velvet, on which a pious inscription was worked in gold spangles, pearls, and many colored gems.  Here hung the silver memorial-lamp, and there also rose a trellised dais, on whose crossed iron bars were all kinds of sacred utensils, among them the seven-branched candlestick.  Before the latter, his countenance toward the ark, stood the choir-leader, whose song was accompanied, as if instrumentally, by the voices of his two assistants, the bass and the treble.  The Jews have banished all instrumental music from their church, maintaining that hymns in praise of God are more edifying when they rise from the warm breast of man, than from the cold pipes of an organ.

Beautiful Sara felt a childish delight when the choir-leader, an admirable tenor, raised his voice and sounded forth the ancient, solemn melodies, which she knew so well, in a fresher loveliness than she had ever dreamed of, while the bass sang in harmony the deep, dark notes, and, in the pauses, the treble’s voice trilled sweetly and daintily.  Such singing Beautiful Sara had never heard in the synagogue of Bacharach, where the presiding elder, David Levi, was the leader; for when this elderly, trembling man, with his broken, bleating voice, tried to trill like a young girl, and in his forced effort to do so, shook his limp and drooping arm feverishly, it inspired laughter rather than devotion.

A sense of pious satisfaction, not unmingled with feminine curiosity, drew Beautiful Sara to the grating, where she could look down on the lower floor, or the so-called men’s division.  She had never before seen so many of her faith together, and it cheered her heart to be in such a multitude of those so closely allied by race, thought, and sufferings.  And her soul was still more deeply moved when three old men reverentially approached the sacred ark, drew aside the glittering curtain, raised the lid, and very carefully brought forth the Book which God wrote with His own hand, and for the maintenance of which Jews have suffered so much—­so much misery and hate, disgrace and death—­a thousand years’ martyrdom.  This Book—­a great roll of parchment—­was wrapped like a princely child in a gaily embroidered scarlet cloak

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The German Classics of the Nineteenth and Twentieth Centuries, Volume 06 from Project Gutenberg. Public domain.