These were the last words I heard distinctly from the lips of Napoleon B. Burress; nor were they answered, even by the brief “Never” which might have proclaimed my ignorance of the very existence of that demi-god of charlatanry, who, for the benefit of suffering mankind, had condescended to compel his genius into the shape of a “revivifying balsam.”

I had, with the aid of the house-maid, divested myself of my wet overshoes and wrappings before the advent of my companion, and had already ensconced myself in a deep Spanish chair, that stood invitingly and with extended arms in one corner of the fireplace, when he advanced to place himself on the rug for a general roasting.

It was precisely twenty minutes past ten, Mr. Burress told me later, when he detected, by stealing on tiptoe to my chair, and bending above me, that I was sound asleep, and the mantel clock was on the stroke of eleven when I awoke.

In one corner of the room sat a stern statue of Silence, in the shape of N.B.  Burress, watching my repose, and from the adjoining office came the murmur of voices that proved that the long interview between Dr. Pemberton and his patient was still in progress.

At this moment, one of the walnut-leaves of the small folding-door, that formed a communication between the study and office of the good physician, swung itself gently on its noiseless hinges, into the position distinguished in description as “slightly ajar,” and thus remained fixed, after a fashion that spiritual mediums might have been able to account for, on supernatural principles.

The low murmur of voices then readily resolved itself into shaped words and sentences, and, but for my deep languor, and the delightful sense of security that possessed me, I should have risen and closed the obliging door, to shut out unintentional communications.

As it was, I lingered and listened, as one might do to the dash of waves, or the rustling of branches, until suddenly the tones and meaning of the principal interlocutor caused me to rise to my loftiest sitting posture, and clasp the arms of the chair I occupied, while the strained ear of attention drank in every syllable of the remainder of the narrative, evidently drawing near its close.

The low monotony of a continued discourse pervaded the voice, the manner of the speaker, the thread of whose story was no longer interrupted, as before, by the comments or questions of his companion, intent upon the vital interest of the tale.

“So I turned back at Panama,” said the raconteur, probably, of a series of adventures, “and abandoned my project altogether.  The man spoke with an air and tone of truth:  the sketch was unmistakably hers.  The whole thing was full of vraisemblance, so to speak, and bore me completely off my feet.  The initials beneath the sketch of Christian Garth were identical with her own.

“He referred me to Captain Van Dome for confirmation of the saving of the few remaining passengers on the raft, and her presence in the ship Latona, together with that of the child and negress.