I have used the word “exile” advisedly with regard to Madame Grambeau, and not figuratively at all.  She was, I had been told, a bourgeoise, of good class, who had taken part in the early revolution, but who, when the canaille triumphed and drenched the land in blood, in the second phase of that fearful outburst of volcanic feeling, had fled before the whirlwind with her child and husband to embark for America.  At the point of embarcation—­like Evangeline—­the husband and wife had been separated accidentally, and on her arrival in a strange land she found herself alone and penniless with her son, scarce six years old.  Her husband had been carried to a Southern port, she learned by the merest chance, and, disguising herself in man’s attire, and leading her little son by the hand, she set forth in quest of him, carrying with her a violin, which, together with the clothes she wore, had been found in the trunk of Monsieur Grambeau, brought on the vessel in which she came, but which depository she had been obliged to abandon, when setting forth on her pilgrimage.

She was no unskillful performer on this instrument, and solely by such aid she gained her food and lodging to the interior of Georgia.  Reaching her destination after a long and painful journey and delays of many kinds, she found her husband living in a log-hut, on the border of Talupa River, a hut which he had built himself, and earning his bread by ferrying travellers across that stream.

Yet here, with the characteristic contentment of her people under all circumstances, she settled down quietly to aid him and make his home happy; bore him many children (most of whom were dead at the time I saw her, as those living were separated from her at that period), reared and educated them herself, toiled for and with them, late and early, strained every nerve in the arduous cause of duty, and found herself, in extreme old age, widowed and alone, having amassed but little of the world’s lucre, yet cheerful and energetic even if dependent still on her own exertions.

All this and much more I had heard before I saw Madame Grambeau or her abode—­a picturesque affair in itself, however humble—­consisting originally of a log-house, to which more recently white frame wings had been attached, projecting a few feet in front of the primitive building, and connected thereto by a shed-roofed gallery, which embraced the whole front of the log-cottage, along which ran puncheon-steps the entire length of the grand original tree-trunk, as of the porch itself.  It was a triumph of rural art.

Over this portico, so low in front as barely to admit the passage of a tall man beneath its eaves, without stooping, a wild multiflora rose, then in full flower, was artistically trained so as to present a series of arches to the eye as the wayfarer approached the dwelling; no tapestry was ever half so lovely.

The path which led from the little white gate, with its swinging chain and ball, was covered with river-pebbles and shells, and bordered by box, trimly clipped and kept low, and the two broad steps, that led to the porch, bore evidence of recent scouring, though rough and unpainted.