At that time her book was passing through the press. Without prejudice to her literary ability, it must be allowed that Miss Bacon was wholly unfit to prepare her own work for publication, because, among many other reasons, she was too thoroughly in earnest to know what to leave out. Every leaf and line was sacred, for all had been written under so deep a conviction of truth as to assume, in her eyes, the aspect of inspiration. A practised book-maker, with entire control of her materials, would have shaped out a duodecimo volume full of eloquent and ingenious dissertation,—criticisms which quite take the color and pungency out of other people’s critical remarks on Shakspeare,—philosophic truths which she imagined herself to have found at the roots of his conceptions, and which certainly come from no inconsiderable depth somewhere. There was a great amount of rubbish, which any competent editor would have shovelled out of the way. But Miss Bacon thrust the whole bulk of inspiration and nonsense into the press in a lump, and there tumbled out a ponderous octavo volume, which fell with a dead thump at the feet of the public, and has never been picked up. A few persons turned over one or two of the leaves, as it lay there, and essayed to kick the volume deeper into the mud; for they were the hack critics of the minor periodical press in London, than whom, I suppose, though excellent fellows in their way, there are no gentlemen in the world less sensible of any sanctity in a book, or less likely to recognize an author’s heart in it, or more utterly careless about bruising, if they do recognize it. It is their trade. They could not do otherwise. I never thought of blaming them.